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WH@__wayn3 remember what your pops told you blasphemy
@wheeliewayne
#Wayn
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(12)
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ROAgree?!
Baetona❤️
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📹: @hooks_81
🎨: @way__n__
#triump #daytona #akrapovic #bikelife #motorcycle
@ronaldo46_
524.2K
ISFrom the play “Show Me Where it Hurts” (Shoofoo al-Wawa Wayn) by Om Hussein On the stage, where laughter blends with tears, “Om Hussein” stood to reopen an Arab wound that has never truly healed. With words simple in structure yet profound in meaning, she encapsulated the tragedy of a nation searching for peace abroad while failing to establish it within its own narrow alleys. This dark comedic scene summarizes the core of the contradiction we live; we are people who master the art of “fratricidal enmity” more than any other. How can a nation extend an olive branch to outsiders while sharpening its knives for its own kin? It is the paradox of the crescent moon that appears as one in the sky, yet is split into two on earth: the crescent of “Aisha Bakkar” and the crescent of the “Dahieh,” as if the distance between hearts is far greater than the mere five hundred meters that physically separate the two neighborhoods. The outcry of “Om Hussein” was not just a passing joke; it was a condemnation of the “politicization” that has tainted the holiest thing we possess: religion. When politics enters through the prayer niche, faith exits through the window, turning Eid into nothing more than a political bargaining chip and transforming religious sects into trenches. What is the value of speaking about national unity and the slogans of Arabism when we remain incapable of agreeing on the break of dawn or the joy of Eid? The division that begins with the “sighting of the moon” and ends with the “slaughter of a brother” is the disgrace that this theatrical scene strikes us with. If we are unable to unite in the celebration of a single day, with what face can we claim the ability to unite our destiny? “Om Hussein” was right.. The world does not pity us; rather, it sits in the audience, applauding this collective suicide that we practice with pride under hollow sectarian labels.
@ism.kz_
2.2M
WHBurpees at halftime is insane 😂
(via wayn3_wond3r/TT)
@whistlesports
2.6K
BL🌿✨ For National Wellness Month, we’re celebrating our founders creating space for healing + growth.
During our #WAYN series, BGV founder @omibell sat down with Zipporah Sowell @goddesszipporah of Rooted Vybez Botanical to talk about her spiritual journey + the power of reconnecting with plants + soil. 🌱💫
Community, wellness, and storytelling, this is what we’re rooted in. 💜
To watch the full interview, check out the BGV YouTube (link in bio).
#CommunityOrNothing #NationalWellnessMonth #BGV #WAYNSeries
@blackgirlventures
2.0K
ETفي الاتحاد للماء والكهرباء، نواصل تطوير حلول ذكية وآمنة وسهلة الاستخدام. شراكتنا مع “وين” تجمع فواتيركم وخدماتكم في منصة رقمية موثوقة، لتجربة أكثر سلاسة وراحة.
At EtihadWE, we are committed to advancing smart, secure, and user-friendly solutions. Our partnership with WAYN brings your EtihadWE bills and services together in one trusted digital platform for a seamless experience.
@7xinmotion
#etihadwe #7x
#الاتحاد_للماء_والكهرباء
@etihadwe
33.2K
WHMy son the wheelie Wayne impersonator @__wayn3 😂😂😂😂
@wheeliewayne
34.0K
WAWAYN DIOR - PARA SEMPRE ✈️ DISPONÍVEL EM TODAS AS PLATAFORMAS DIGITAIS 🕺🏽
@wayndior
83.1K
LEFrom the play “Show Me Where it Hurts” (Shoofoo al-Wawa Wayn) by Om Hussein
On the stage, where laughter blends with tears, “Om Hussein” stood to reopen an Arab wound that has never truly healed. With words simple in structure yet profound in meaning, she encapsulated the tragedy of a nation searching for peace abroad while failing to establish it within its own narrow alleys.
This dark comedic scene summarizes the core of the contradiction we live; we are people who master the art of “fratricidal enmity” more than any other. How can a nation extend an olive branch to outsiders while sharpening its knives for its own kin? It is the paradox of the crescent moon that appears as one in the sky, yet is split into two on earth: the crescent of “Aisha Bakkar” and the crescent of the “Dahieh,” as if the distance between hearts is far greater than the mere five hundred meters that physically separate the two neighborhoods.
The outcry of “Om Hussein” was not just a passing joke; it was a condemnation of the “politicization” that has tainted the holiest thing we possess: religion. When politics enters through the prayer niche, faith exits through the window, turning Eid into nothing more than a political bargaining chip and transforming religious sects into trenches.
What is the value of speaking about national unity and the slogans of Arabism when we remain incapable of agreeing on the break of dawn or the joy of Eid? The division that begins with the “sighting of the moon” and ends with the “slaughter of a brother” is the disgrace that this theatrical scene strikes us with. If we are unable to unite in the celebration of a single day, with what face can we claim the ability to unite our destiny?
“Om Hussein” was right.. The world does not pity us; rather, it sits in the audience, applauding this collective suicide that we practice with pride under hollow sectarian labels.
@levanttheater
51.2K
OTNot the reverse jog into the endzone silencing the crowd ahhhhhh 🤫 @wayn3graham_
@ot7
545.9K
NILa Wayn Brouh @habibah_oumar
@nissa_sabyan
782.5K
LEFrom the play "Show Me Where it Hurts" (Shoofoo al-Wawa Wayn) by Om Hussein
On the stage, where laughter blends with tears, "Om Hussein" stood to reopen an Arab wound that has never truly healed. With words simple in structure yet profound in meaning, she encapsulated the tragedy of a nation searching for peace abroad while failing to establish it within its own narrow alleys.
This dark comedic scene summarizes the core of the contradiction we live; we are people who master the art of "fratricidal enmity" more than any other. How can a nation extend an olive branch to outsiders while sharpening its knives for its own kin? It is the paradox of the crescent moon that appears as one in the sky, yet is split into two on earth: the crescent of "Aisha Bakkar" and the crescent of the "Dahieh," as if the distance between hearts is far greater than the mere five hundred meters that physically separate the two neighborhoods.
The outcry of "Om Hussein" was not just a passing joke; it was a condemnation of the "politicization" that has tainted the holiest thing we possess: religion. When politics enters through the prayer niche, faith exits through the window, turning Eid into nothing more than a political bargaining chip and transforming religious sects into trenches.
What is the value of speaking about national unity and the slogans of Arabism when we remain incapable of agreeing on the break of dawn or the joy of Eid? The division that begins with the "sighting of the moon" and ends with the "slaughter of a brother" is the disgrace that this theatrical scene strikes us with. If we are unable to unite in the celebration of a single day, with what face can we claim the ability to unite our destiny?
"Om Hussein" was right.. The world does not pity us; rather, it sits in the audience, applauding this collective suicide that we practice with pride under hollow sectarian labels.
@levantecho
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