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MA#freepalestina
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CEIconic Band Massive Attack Shares Message of Support for Gaza Freedom Flotilla
#massiveattack #freedomflotilla #Bristol #music
@massiveattackofficial
@celebrities4palestine
410.1K
NMHuge: with a little help from @massiveattackofficial, @kneecap32 tore open Wembley @ovoarena with a Keir Starmer-baiting set of Palestinian solidarity and Irish language bangers. Hit the link in bio for more on what went down
#Kneecap #MassiveAttack
@nmemagazine
370.2K
BBA Massive Attack gig with a difference 🎶
They're playing their first home town show for five years - a show they hope will change the music industry.
All the food will be vegan. All the loos will be compostable. If you're really observant, you might spot electric vans containing large batteries instead of having diesel generators to power the stage and stalls.
Massive Attack say the one-day show will be the lowest-carbon concert of its scale ever held.
#Bristol #MassiveAttack #music #musicfestival #festival
@bbcwest
23.7K
MAMezzanine turns 25 today! What are your favorite tracks?
#Mezzanine #MassiveAttack
@massiveattackfans
133.1K
DAangel by massive attack on ice edition #figureskating #massiveattack #iceskating #adultfigureskating #buzpateni
@daisyilou
606.2K
STIn Gothenburg tonight, Massive Attack played their first show in five years with special appearances from ‘Mezzanine’ vocalists Elizabeth Fraser and Horace Andy 💧
[📹: ordeniflickan]
#MassiveAttack #ElizabethFraser #HoraceAndy
@stereogum
859.2K
RE“6 Underground” is the lead single from Sneaker Pimps’ 1996 debut album Becoming X, released at the height of the UK trip-hop movement.
Built around a bassline sampled from the 1973 film The Last of Sheila, the song pairs downtempo beats with Kelli Ali’s detached vocals — a sound closely associated with the Bristol scene that also produced Massive Attack, Portishead, and Tricky.
@reels.grunge
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THMassive Attack performing “Karmacoma” Live on …Later with Jools Holland
@thelegendsofmusic
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ZEMassive Attack, formed in Bristol in 1988, is often credited with pioneering the trip hop genre—a label they’ve consistently pushed back against. Blending elements of hip hop, dub, soul, and electronica, their sound is intentionally fluid, resisting easy categorization. From the genre-defining Blue Lines to the darker, more political Mezzanine, their music has evolved in ways that defy rigid labels.
The term «trip hop,» while widely used, has been dismissed by the band as reductive. For Massive Attack, genrefication limits artistic freedom and oversimplifies their multicultural, collaborative approach. Their work with diverse vocalists and shifting styles reflects a commitment to experimentation over commercial packaging. Their resistance is part of a broader critique of how the music industry tries to box in innovation for easier consumption.
@zen_music_group
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TMUm dos grandes momentos do histórico show do Massive Attack em São Paulo esta noite foi a performance de “Angel”, clássico do disco Mezzanine que ajudou muita gente a conhecer o som único do Trip Hop!
Para o arranjo ao vivo, os vocais ficaram por conta de Horace Andy, um dos três convidados da noite - Elizabeth Fraser ficou com clássicos como “Teardrop” e “Black Milk” e Deborah Miller cantou “Safe From Harm” e “Unfinished Sympathy”.
📺 Veja mais vídeos do show nos Stories do @tmdqa!
@tmdqa
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FUMassive Attack’s Mezzanine Still Feels Ahead of Time
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#massiveattack #90s #music #fyp #explore
@fuzzculturemusic
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