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#Rossini

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#Rossini Reel by @rossini_detalles - Te encantara este tutorial de rosas eternas 😊💐
#flores #Rossini #rosas
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@rossini_detalles
Te encantara este tutorial de rosas eternas 😊💐 #flores #Rossini #rosas
#Rossini Reel by @classicfm (verified account) - Work smarter, not harder. #rossini #classicalmusic
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@classicfm
Work smarter, not harder. #rossini #classicalmusic
#Rossini Reel by @berlinphil (verified account) - 🎆🎶 Rossini's playful overture to La gazza ladra (The Thieving Magpie) was on the programme of this 1998 New Year's Eve Concert with Claudio Abbado.
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@berlinphil
🎆🎶 Rossini's playful overture to La gazza ladra (The Thieving Magpie) was on the programme of this 1998 New Year's Eve Concert with Claudio Abbado. Join us on 31 December when Kirill Petrenko and the Berliner Philharmoniker perform opera arias and orchestral music with tenor Benjamin Bernheim! #BerlinPhil #DigitalConcertHall #NewYearsEveConcert #ClaudioAbbado #NewYearsEve #Rossini
#Rossini Reel by @traviati_ - On this day in 1817, Cinderella found her voice, but she didn't find this speed until Bartoli arrived👑

Happy Anniversary to Rossini's La Cenerentola
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@traviati_
On this day in 1817, Cinderella found her voice, but she didn't find this speed until Bartoli arrived👑 Happy Anniversary to Rossini’s La Cenerentola🎂 Cecilia Bartoli celebrates by turning the coloratura into a full-blown athletic event. Listen to that articulation! It's is distinct, percussive, and absolutely terrifying for any other mezzo trying to learn this role😰 Rossini wrote a fairytale, but Cecilia turned it into a vocal fireworks display🎆 ❓Is La Cenerentola your favorite Rossini opera? _________ Mezzo-soprano Cecilia Bartoli sings the aria Non più mesta from the opera La Cenerentola (Cinderella) by composer Gioachino Rossini 🇮🇹 #ceciliabartoli #rossini #lacenerentola #mezzosoprano #coloratura #opera #belcanto #muzykaklasyczna
#Rossini Reel by @bestofopera (verified account) - 🎭 Dmitri Hvorostovsky - Largo al factotum

✨ With his unmistakable silver hair and commanding stage presence, Dmitri Hvorostovsky brings charisma and
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@bestofopera
🎭 Dmitri Hvorostovsky — Largo al factotum ✨ With his unmistakable silver hair and commanding stage presence, Dmitri Hvorostovsky brings charisma and precision to Figaro’s famous entrance aria. In Rossini’s opera, the barber of Seville introduces himself as the city’s indispensable problem-solver. “Largo al factotum” is known for its rapid patter passages and energetic rhythm, demanding agility, clarity of diction, and strong breath control from the baritone. In this performance, Hvorostovsky moves confidently through the quick phrases while maintaining his rich, dark-colored tone. At the famous “Figaro! Figaro! Figaro!” moment, the aria reaches its lively peak, capturing the character’s pride and larger-than-life personality. It’s one of the most recognizable baritone arias in opera and a highlight of Il barbiere di Siviglia. 🎤 Dmitri Hvorostovsky 🇷🇺 Baritone Born: October 16, 1962 🎼 Il barbiere di Siviglia Gioachino Rossini Premiered: 1816 #Hvorostovsky #OperaClassical #BaritoneVoice #Rossini
#Rossini Reel by @ardklassik (verified account) - Damals zu experimentell, heute nicht mehr wegzudenken:
Das Klopfen der Geigen, ihr hört es bei Sekunde 42, machte die Ouvertüre aus "Il Signor Bruschi
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@ardklassik
Damals zu experimentell, heute nicht mehr wegzudenken: Das Klopfen der Geigen, ihr hört es bei Sekunde 42, machte die Ouvertüre aus "Il Signor Bruschino" 1813 zu einem Skandal 🎻🤨 Die jungen Wilden hatten's schon immer schwer, wie es scheint. Es spielt die Deutschen Radio Philharmonie unter Leitung von Guillermo García Calvo. #rossini #ouvertüre
#Rossini Reel by @bestofopera (verified account) - 🎼 The King's Singers - Overture to 'William Tell'

✨Can you actually believe what your ears are witnessing right now? Close your eyes for a second an
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@bestofopera
🎼 The King's Singers — Overture to 'William Tell' ✨Can you actually believe what your ears are witnessing right now? Close your eyes for a second and try not to look for the violins, the flutes, or the percussion. What you hear is a perfect sonic illusion, a secret kept by six voices that decided to defy the laws of musical physics. What’s happening here isn’t just singing; it’s a form of human engineering forbidden to amateurs. The legendary "William Tell Overture," composed by Rossini in 1829 for a full symphonic orchestra, is here deconstructed and rebuilt using nothing but air and vocal cords. Every rhythmic attack, every crescendo, and every melodic transition is executed with a surgical precision that feels almost supernatural. How can six men replicate the dense texture of an entire orchestra without a single instrument on stage? The answer lies in absolute vocal agility. From the crystalline highs of the countertenors to the seismic foundation of the bass, there is a millimetric synchrony that cheats the brain. It is the ultimate proof that the most complex and powerful instrument in the universe is still the human voice. This rare performance, captured during the group's 50th-anniversary tour, transforms a classical melody into an epic moment of pure adrenaline. It’s a showcase of strength, breath, and acoustic mysticism that redefines what’s possible to achieve on a stage. Get ready to question everything you knew about the limits of the human body. 🎤 The King's Singers 🇬🇧 🎼 William Tell Overture Gioachino Rossini Composed: 1829 #TheKingsSingers #OperaMagic #VocalPerfection #Rossini
#Rossini Reel by @clube_da_musica_classica (verified account) - Gioacchino Rossini tinha 24 anos quando estreou a ópera La Cenerentola, em 1817. E uma das coisas que ele mais gostava de fazer era sacanear os cantor
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@clube_da_musica_classica
Gioacchino Rossini tinha 24 anos quando estreou a ópera La Cenerentola, em 1817. E uma das coisas que ele mais gostava de fazer era sacanear os cantores 😄 Nas óperas bufas, ele simplesmente enche a partitura de trechos rapidíssimos, quase impossíveis, cheios de sílabas, repetição e zero espaço pra respirar. E quanto mais atrapalhado, ansioso ou ridículo é o personagem, mais rápido ele escreve. O trecho “Sia qualunque delle figlie” é exatamente isso: o pensamento atropelando a fala deixando o cantor e o público sem ar!! Rsrsrs Quase 200 anos antes de Eminem, Rossini já dominava a arte do trava-língua com maestria.😎 Quem segura essa bronca no vídeo é o barítono georgiano @kiriamisha , com uma naturalidade e uma veia cômica digna de um grande artista. Parece fácil. Não é… mesmo!!!👏👏👏👏 E quando você começa a perceber esse tipo de detalhe, a música muda completamente de nível. No Clube da Música Clássica, é esse olhar que a gente constrói junto. Não é só ouvir… é a ARTE DA ESCUTA!! E em abril, vêm novidades importantes por aí. Se você ainda não faz parte… talvez esteja ouvindo só metade da história, e tendo muito menos prazer!! Vamos ouvir música juntos?? Venha aprender com a gente!! #clubedamusicaclassica #músicaclássica #rossini #rap #arte
#Rossini Reel by @themfmofficial - Follow Us 
🎭The Sovereignty of the Baritenor

The vocal physiognomy of Michael Spyres represents a transmutation of the contemporary operatic canon.
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@themfmofficial
Follow Us 🎭The Sovereignty of the Baritenor The vocal physiognomy of Michael Spyres represents a transmutation of the contemporary operatic canon. In this performance of ‘Largo al factotum’, Spyres displays a technical agility that manifests the reality of his status as a baritenor: a voice that inhabits the depth of the baritone while conquering the summits of the tenor with natural precision. His mastery of the rhythmic axis and his ability to concatenate vocal acrobatics establish this performance at the Royal Albert Hall as a standard of absolute excellence. 🏛️Acclaimed in temples of rigour such as alla Scala, Spyres challenges the rigidity of the Fach system. His career is a lesson in willpower; an artist who began with a limited register and, through iron discipline, developed a sonic extension that today spans three octaves. His interpretation of Rossini is a display of power and a declaration of technical sovereignty that blurs restrictive labels to embrace seamless versatility. We observe the culmination of training that rejects hyper-rigid categorisation, allowing the voice to evolve as a living organism. Spyres demonstrates that true authority resides in flexibility and a profound knowledge of music history, transforming each aria into a masterpiece of virtuosity and emotion. Performance: Michael Spyres #allascala #Rossini #OperaLirica #BelCanto #RoyalAlbertHall
#Rossini Reel by @ardklassik (verified account) - Das ist der perfekte Soundtrack, um als Lone Ranger durch die Prärie zu reiten - oder einfach nur, wenn ihr mal wieder spät dran seid! 🐎💨 
Gioachino
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@ardklassik
Das ist der perfekte Soundtrack, um als Lone Ranger durch die Prärie zu reiten – oder einfach nur, wenn ihr mal wieder spät dran seid! 🐎💨 Gioachino Rossinis mitreißendes Finale aus der "Wilhelm Tell" Ouvertüre klingt nach purem Abenteuer! Zum Todestag des Komponisten spielt für euch das Symphonieorchester des Bayerischen Rundfunks @brsorchestra mit Dirigent Mariss Jansons. Woran müsst ihr denken, wenn ihr das hört? #rossini #classicalmusic
#Rossini Reel by @medici.tv (verified account) - Composed in barely three weeks when he was only 24 years old (though with sixteen operas already under his belt), Rossini's Il Barbiere di Siviglia is
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@medici.tv
Composed in barely three weeks when he was only 24 years old (though with sixteen operas already under his belt), Rossini’s Il Barbiere di Siviglia is his most renowned opera buffa. It strikes the perfect balance between irrepressible exuberance, lighthearted comedy, and high caliber artistry. Enjoy @_pietro_spagnoli_ (Figaro) in the classic "Largo al factotum della città". #instaclassical #operalovers #rossini
#Rossini Reel by @rossini_detalles - Un adelanto 😊!!! no te pierdas el tutorial de mañana 💕
#flores #Rossini #sanvalentin
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@rossini_detalles
Un adelanto 😊!!! no te pierdas el tutorial de mañana 💕 #flores #Rossini #sanvalentin

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