#Ty Quickcut

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#Ty Quickcut Reel by @zenonsamuels - New narrative directing reel for 2026!!! Check out a little of the old and a lot of the new! Who else is ready to shoot some films this year?! FEATU
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@zenonsamuels
New narrative directing reel for 2026!!! Check out a little of the old and a lot of the new! Who else is ready to shoot some films this year?! FEATURED PROJECTS - Thrasher (2026) - Hermit (2026) - Sol (In Production) - Kite (2026) - Little Green (2026) - Robot (2026) - Survive (2018) - Unspoken (2025) - Strangers (2013) - Tarot & Tequila (2026) - Monolith (2018) MUSIC - Gesaffelstein - Nameless ZenCo. Productions © 2026
#Ty Quickcut Reel by @the_moviesnow - Cinematographer Greig Fraser (known for Dune) crafted a unique, dirty, and textured look for Matt Reeves' film, moving away from the "clean" look of p
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@the_moviesnow
Cinematographer Greig Fraser (known for Dune) crafted a unique, dirty, and textured look for Matt Reeves' film, moving away from the "clean" look of previous iterations. Fraser used ARRI Alexa LF and Mini LF cameras with custom-designed ALFA anamorphic lenses. These lenses produced a sharp focus in the center of the frame but a significant, stylized falloff of resolution and a "milky" quality toward the edges, creating a slightly claustrophobic, "fish-eye" effect that forces the viewer's eye to the center and gives the image character. The film utilizes heavy shadows and high contrast, inspired by Gordon Willis's work on films like Klute and The Godfather, and photographer Todd Hido's aesthetic. The color palette is desaturated, with blue hues mixed with occasional orange from city lights to create a cold, wet, and grimy atmosphere, suggesting that it is constantly raining and the city is filled with "filth". #batman #mattreeves
#Ty Quickcut Reel by @euvrard_loubser - 🍿📺 Watched Damien Chazelle's Babylon again last night 🙌 Wow kickass film 💯 Love that final montage cuttin through the history of cinema 📽️🎞️ 🎭
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@euvrard_loubser
🍿📺 Watched Damien Chazelle’s Babylon again last night 🙌 Wow kickass film 💯 Love that final montage cuttin through the history of cinema 📽️🎞️ 🎭 From silent film to modern digital cinema, it reminds you that movies are built on a hundred years of visual language, one cut at a time ✌️😜 Really bold work by Editor Tom Cross .. so stylized, ambitious, and super cinematic ✨✨ Babylon might look like chaos on the surface, but underneath it’s a precise, intentional piece of filmmaking about ambition, obsession, and what it costs to be part of this industry. If you haven’t watch it.. go now 😜
#Ty Quickcut Reel by @ishifilms - 2025 Mashup of Director & DP Projects Forever grateful for each and every collaborator that made these incredible projects come to life. 🙏 More to
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@ishifilms
2025 Mashup of Director & DP Projects Forever grateful for each and every collaborator that made these incredible projects come to life. 🙏 More to come soon! 🎬
#Ty Quickcut Reel by @frank_square (verified account) - DON'T BREAK 🥚🪡 VFX work for @whatszep Written & Directed by @joaspruijt @robinvangeemen & @whatszep Production company - @futurefrank.xyz Artdir
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@frank_square
DON’T BREAK 🥚🪡 VFX work for @whatszep Written & Directed by @joaspruijt @robinvangeemen & @whatszep Production company – @futurefrank.xyz Artdirector – @djina.bdb Cinematography – @jasperdekloetdp 1’ST AC – @jeremiahchoww Gaffer – Jamie Andres Key Grip – Ozzy Gonzalez Swing – David Ortega Movement direction – @brilovelife Executive producer – @_ohmiguel_ Producer – @hectorfelixflicks Production Coordinator – Ivan Valenzuela PA – Gabriel Thakor MUA – @tarareyfx Assistant make-up – @pinkflame666 Secondary make-up – Amadora Biscette VFX – @frank_square VFX – @kurzick_ VFX – @empty___frame VFX – @semleuven (excit.co) Graphic design – @segraphy Color grading – @imriagmon Thanks to @_ohmiguel_ @joaspruijt @whatszep for the opportunity.
#Ty Quickcut Reel by @scotttalbot - Taking a closer look at the visual effects in my@latest short film, @theonethatgotawayfilm. Watch the full film at the link in my bio. Written, direc
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@scotttalbot
Taking a closer look at the visual effects in my@latest short film, @theonethatgotawayfilm. Watch the full film at the link in my bio. Written, directed, and visual effects by @scotttalbot Cinematography by @benmeserve Production Design by @lefevrearts Color by @kalibatemancolourist at @wearecrayon Software: @autodesk Maya, @maxonredshift, Nuke, and addition visual effects done in @adobe After Effects.
#Ty Quickcut Reel by @saksham.fx_ - Another Round follows four high school teachers who test a theory that maintaining a constant 0.05% blood alcohol level can improve their lives. What
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@saksham.fx_
Another Round follows four high school teachers who test a theory that maintaining a constant 0.05% blood alcohol level can improve their lives. What begins as a controlled experiment slowly spirals over its 117-minute runtime. The film balances liberation with consequence. Mads Mikkelsen anchors the story with restraint and vulnerability. The narrative shifts from humor to grief, exploring midlife crisis and identity without melodrama. Its final scene has become one of the most discussed endings in modern European cinema. For video editors and sound designers, the film is a study in tonal transition. Subtle pacing shifts and natural sound design guide the emotional arc. Holding reactions for 2–3 seconds and letting silence linger strengthens the bittersweet impact. Follow @saksham.fx_ for more! #TonalEditing #EmotionalPacing #VideoEditor #EditingLife #Filmmaking
#Ty Quickcut Reel by @cinema.defined - Greig Fraser (known for Dune) gives Matt Reeves' film a rough lived-in look that feels intentionally imperfect. Instead of clean and glossy visuals, t
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@cinema.defined
Greig Fraser (known for Dune) gives Matt Reeves’ film a rough lived-in look that feels intentionally imperfect. Instead of clean and glossy visuals, the camera work feels raw and uneasy. Shot on ARRI Alexa LF and Mini LF cameras with custom ALFA anamorphic lenses, the image stays sharp in the middle but softens around the edges with a milky blur. It gently traps your attention at the center, making the world feel cramped, uncomfortable, and emotionally heavy. The movie breathes in darkness. Deep shadows and strong contrast, inspired by Gordon Willis and the moody photography of Todd Hido, wrap the city in gloom. The colors stay cold and drained, mostly blues, with small bursts of orange from streetlights that never really offer warmth. It feels like the city is always wet, always dirty, and slowly decaying — like the rain never stops and neither does the rot.

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