733.0K
WICount Basie & Oscar Peterson 😍
@wiki_jazz
#Countbasie
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BECount Basie plays “One O’Clock Jump” (1943) #fyp #clip #vintage #vintagevibes #1940s #ww2 #music #oldies #jazz #bigband #swing #countbasie #oneoclockjump #🕐
@bennygoodmanisgod
61.1K
OPTimeless Old Convention
50% off Open Studio & Open Studio Pro annual memberships now through Sunday 7/13 --> link in bio to get started! (new lesson from Peter & Adam every week)
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#piano #jazz #music #jazzmusic #jazzpiano #chords #openstudio #openstudiojazz #jazzlesson #louisarmstrong #wyntonkelly #norahjones #countbasie #jazzmaster #jazzmusicians #instapiano #instajazz #learnpiano
@openstudiojazz
708.0K
OSLegendary Pianist @oscarpetersonofficial shares his experience, admiration, and love for Count Basie during a Words and Music interview with Andre Previn. 🎹
#Repost @countbasieofficial
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#oscarpeterson #countbasie #Iconic #Legends #Jazz #Swing #master #jazzgiant #jazz #jazzlegend #piano #jazzpiano #musicvideo #musicclip #videoclip #música #musichistory #live #concert #pianist #jazzpianist #goat #pianoplayer #jazzmusician #solo #songoftheday #instamusic
@oscarpetersonofficial
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RBCount Basie - One O’Clock Jump.
Count Basie (August 21, 1904 - April 26, 1984).
William “Count” Basie built one of jazz’s most enduring empires not by playing more notes, but by playing fewer. Born in Red Bank, New Jersey, and raised on vaudeville stages, Basie absorbed the blues-drenched piano styles of Fats Waller and carried them west to Kansas City in the 1930s.
There, his orchestra defined the sound of swing: riffs stacked in layers, a rhythm section so tight it was dubbed the “All American Rhythm Section,” and a band that knew how to make a dance floor move without breaking a sweat. His 1936 hit One O’Clock Jump became a jazz anthem, while stars like Lester Young, Jo Jones, and Freddie Green cut their teeth in his ranks.
Even as the big-band era faded, Basie kept the music alive reinventing his orchestra, collaborating with Ella Fitzgerald and Frank Sinatra, and proving that swing could be both relaxed and razor sharp. His greatest gift wasn’t just leading a band; it was showing the world that space, groove, and understatement could swing harder than any wall of sound.
@rbr.music
1.6M
BL"Keep on listening & tapping your feet." -Count Basie
@bluesblend
5.1K
COLow, slow, and locked in. Basie + Grey = unbeatable. 🎷 I Needs to Be Beed With. #JazzLegends #CountBasie #AlGrey #DeepSwing
@countbasieofficial
248.6K
JA🎥 Billie Holiday with Count Basie and his Sextet, singing "Now or Never", 1950. Excerpt from the motion picture directed by Will Cowan: Sugar Chile Robinson - Billie Holiday - Count Basie and his Sextet. Colorized for the 2019 documentary, "Billie"
The Band: Clark Terry, trumpet; Wardell Gray, tenor sax; Marshall Royal, clarinet (on screen only, on soundtrack it's Buddy De Franco); Count Basie, piano; Freddie Green, guitar; Jimmy Lewis, acoustic double bass; Gus Johnson, drums
"Now or Never" written by singer Billie Holiday and composer Curtis Reginald Lewis.
"Sugar Chile" Robinson, Billie Holiday, Count Basie and His Sextet is a 1950 short film presenting five jazz numbers in a 15-minute running time. The film includes Billie Holiday performing "God Bless the Child" and "Now, Baby or Never", the Count Basie Sextet performing "One O'Clock Jump", and juvenile performer Frank "Sugar Chile" Robinson performing "Numbers Boogie" and "After School Boogie". The film was directed by Will Cowan and produced and released by Universal-International Pictures.
🎷 Join the @jazzphotoarchives & @thejazzlibrary Collective!
🔗 Support the collective through the store. (Click on the link in bio)
#billieholiday #jazz #music #jazzmusic #countbasie #jazzphotos #jazzvintage #jazz #swing #vinylcollection #band #vintagejazz #vintagephotos #jazzphotoarchives
@jazzphotoarchives
2.8M
MICount Basie & Oscar Peterson - “Jumpin’ At The Woodside”, live on BBC
Niels Pedersen (bass)
Martin Drew (drums)
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#mindthejazz #jazz #jazzgram #jazzmusic #piano #jazzpiano #countbasie #oscarpeterson #twopianos #jazzquartet #jazzlovers #vintagetv #liveperformance
@mindthejazz
8.7K
HI@legendarymusicianschannel - Count Basie on Art Tatum, Interview with Oscar Peterson 1980
@historyofmusichannel
514.8K
MA❤️🎹❤️ Let‘s remember the GIANTS OF JAZZ! ❤️🎹 ❤️ The awesome Oscar Peterson & Count Basie: ‚Jumpin‘ At The Woodside‘ (live in Prague, 1974) ❤️🎹❤️ @oscarpetersonofficial @countbasieofficial - All Rights: BBC ❤️🎹❤️ @markusschirmerpiano #jazz #jazztvshow #jazzfest #jazzy #jazzpiano #giants #legends#icons #oscarpeterson #countbasie #awesome
@markusschirmerpiano
257.1K
JAAlthough she performed with such jazz greats as Count Basie, Max Roach, Dizzy Gillespie, and Earl Hines, Vi Redd is rarely discussed in jazz history books except for those focusing specifically on female jazz musicians. The summer of 1968 she made a guest appearance with the Dizzy Gillespie Quintet at the Newport Jazz Festival. At one point Dizzy introduced her as “a young lady who has been enjoyed many times before...” Later while she warmed up, Dizzy interjected, “That’s close enough to jazz,” convulsing the audience once again. But despite all the male #chauvinism she endured, Vi Redd fluffed it off and played a fine, Bird-inspired solo on “Lover Man.”
Vi collaborated successfully with Count Basie and his orchestra in 1968. One of the songs was “Stormy Monday Blues” that brought together her strengths both as a vocalist and as an instrumentalist. The orchestra gave her plenty of space to play with soulful singing and the effervescent chord progressions that made her music so pleasing. Her dedication to and mastery of jazz music has paved the way for many other talented women instrumentalists.
Vi Redd: Sept 20, 1928 - Feb 6, 2022
#jazzcorner #viredd #saxophonist #womeninjazz #female #instrumentalist #jazzwithoutpatriarchy
@jazzcorner_
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