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#Jimihendrix Reel by @vintage.recordings - On this day 24 February 1969 - the night the Royal Albert Hall bowed to electricity.
Jimi Hendrix performing "Foxy Lady" at Royal Albert Hall, London
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@vintage.recordings
On this day 24 February 1969 — the night the Royal Albert Hall bowed to electricity. Jimi Hendrix performing “Foxy Lady” at Royal Albert Hall, London (1969) ⭐️ On this night, Jimi Hendrix didn’t just perform — he commanded the room. Inside the grand, classical walls of Royal Albert Hall, a place built for orchestras and royalty, Hendrix rewrote the rules of what a guitar could be. No theatrics for shock value. No chaos for the sake of noise. This was control. Precision. Fire with intention. Every note felt deliberate, like he knew history was watching. His tone was thick, vocal, almost human — bending, crying, screaming, then whispering back into silence. Songs like Little Wing, Voodoo Child (Slight Return), and Red House weren’t just played; they were expanded, stretched into something spiritual. The guitar stopped being an instrument and became a voice, and Hendrix spoke fluently. This was Hendrix at his peak — confident, focused, and fully aware of his power. No need to prove anything. He already had. The audience wasn’t witnessing a concert; they were witnessing mastery. A man standing between blues, rock, psychedelia, and the future, pulling all of it together with six strings and pure instinct. For years, this performance lived in myth — locked away, whispered about, argued over. And when the footage finally surfaced, it did exactly what legends do: it lived up to the hype. 24 February 1969 wasn’t just another gig. It was the moment Jimi Hendrix showed the world what it looks like when art, skill, and electricity become immortal. 🎸🔥 #JimiHendrix #RoyalAlbertHall #february 1969 #RockHistory #GuitarLegend
#Jimihendrix Reel by @morethanjusthearing - A MASTERCLASS IN SONIC STORYTELLING
This is Jimi Hendrix delivering an incredibly powerful live performance of Machine Gun at the legendary Isle of Wi
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@morethanjusthearing
A MASTERCLASS IN SONIC STORYTELLING This is Jimi Hendrix delivering an incredibly powerful live performance of Machine Gun at the legendary Isle of Wight Festival in 1970. This specific performance stands as one of the most intense and emotionally charged guitar solos ever captured on film. Using his Fender Stratocaster and a complete mastery of feedback, distortion, and effects, Hendrix literally turns his instrument into a weapon of war. He perfectly mimics the chaotic, terrifying sounds of bombs dropping and machine gun fire to protest the Vietnam War. Taking place just weeks before his tragic passing, this set captures a musical genius pushing the absolute boundaries of what an electric guitar could communicate. What is your favorite live performance by Jimi Hendrix? #jimihendrix #machinegun #isleofwight #1970 #fenderstratocaster
#Jimihendrix Reel by @therocknrollbible (verified account) - 🎸 Jimi Hendrix, born in 1942 in Seattle, changed the electric guitar in just a few years. He came up playing in R&B bands before breaking out in the
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@therocknrollbible
🎸 Jimi Hendrix, born in 1942 in Seattle, changed the electric guitar in just a few years. He came up playing in R&B bands before breaking out in the late ’60s with The Jimi Hendrix Experience, bringing a sound that felt completely new — louder, looser, and more expressive. Songs like “Purple Haze,” “Hey Joe,” and “Voodoo Child” showed how far he could push the instrument. He used feedback, distortion, and the wah pedal not as effects, but as part of the music itself, turning noise into something controlled and emotional. Live, Hendrix was unpredictable. Performances like Monterey and Woodstock weren’t just concerts — they felt like statements. He played with his teeth, behind his back, but it never felt like a gimmick. It was all part of the expression. Even with such a short career, his influence never left. Hendrix didn’t just play guitar — he redefined what it could do. #JimiHendrix #PurpleHaze #VoodooChild #GuitarLegend #ClassicRock
#Jimihendrix Reel by @classic.rockvault - 1967.	

A moment that changed rock forever.

When The Jimi Hendrix Experience hit British television with Purple Haze, the world didn't just hear some
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@classic.rockvault
1967. A moment that changed rock forever. When The Jimi Hendrix Experience hit British television with Purple Haze, the world didn’t just hear something new… it felt it. Written backstage in London in a matter of moments, the song carried a tension unlike anything before it — built on the infamous “devil’s interval” and the now-legendary Hendrix chord. But despite all the myths, Jimi Hendrix insisted it wasn’t about drugs… It was a dream. A surreal vision of walking beneath the sea. In the studio, he was so self-conscious about his voice that the lights had to be turned off — recording in near darkness, chasing a feeling rather than perfection. Released in March 1967… and just months later, Monterey made him immortal. Some songs define an era. This one rewrote it. 🔥 #jimihendrix #purplehaze #classicrock #rockhistory #guitarlegend
#Jimihendrix Reel by @jimihendrix (verified account) - On February 25, 1967 The Jimi Hendrix Experience performed in Chelmsford, England.  This footage of "Stone Free," along with "Like A Rolling Stone" ma
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@jimihendrix
On February 25, 1967 The Jimi Hendrix Experience performed in Chelmsford, England. This footage of "Stone Free," along with "Like A Rolling Stone" mark the earliest known film footage of The Experience performing in concert. Watch more, as a Bonus Feature, on the Live At Monterey video release >> https://bit.ly/3ZPzu0J #JimiHendrix #Chelmsford #UK #FirstExperience #StoneFree
#Jimihendrix Reel by @worldfilmarchive - Stevie Ray Vaughan performing Voodoo Child at Austin City Limits. October 10, 1989.

Less than a year before his death. Newly sober and at the absolut
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@worldfilmarchive
Stevie Ray Vaughan performing Voodoo Child at Austin City Limits. October 10, 1989. Less than a year before his death. Newly sober and at the absolute height of his powers. This guitar in his hands is Number One, his battered 1962 Fender Stratocaster. He used an uncommonly heavy custom string gauge, .013 to .058, tuned a half step below standard. The strings were so heavy it was not uncommon for him to tear his fingernail off mid-performance from the speed of his movement across them. Voodoo Child was Jimi Hendrix’s song and nobody pretended otherwise. But what Vaughan did with it was something separate. He had studied Hendrix the same way Hendrix had studied the blues players before him, not to copy it but to understand it deeply enough to make it his own. Without light shows, edgy haircuts, or rock star posturing, he introduced an entire generation to passion-fueled guitar music and the importance of Jimi Hendrix, Albert King, Buddy Guy, and Howlin’ Wolf. These two Austin City Limits appearances in 1983 and 1989 remain the most requested episodes in the program’s history. He died in a helicopter crash in East Troy, Wisconsin on August 27, 1990. He was 35 years old. #SteveRayVaughan #VoodooChild #BluesGuitar #AustinCityLimits #GuitarHistory
#Jimihendrix Reel by @lordrarerock (verified account) - GO JOHNNY GO - There is this moment in Back to the Future (1985) where time, which is supposed to behave like a straight line with rules and consequen
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@lordrarerock
GO JOHNNY GO - There is this moment in Back to the Future (1985) where time, which is supposed to behave like a straight line with rules and consequences and parental stakes, suddenly folds in on itself in the most American way possible, which is to say via amplified music and a kid who maybe understands the future better than he understands himself. Marty McFly, played by Michael J. Fox, has just secured his own existence by engineering his parents’ kiss, which is already an absurd causal loop, and instead of exiting quietly like someone who has just corrected a paradox, he picks up a cherry red Gibson ES-345 that technically should not exist in 1955 and proceeds to introduce a gymnasium full of polite teenagers to Johnny B. Goode as if it were both prophecy and warning. What follows is a kind of cultural time leak. Marty begins inside the grammar of Chuck Berry, which the band can almost process, but then drifts into gestures borrowed from Jimi Hendrix and Pete Townshend, moves that will not make sense for another decade or two, and the crowd’s reaction is stunned suspension, like they are watching a language being invented faster than they can hear it. Fox, who actually trained so the camera could cut to his hands without exposing the illusion, plays it with a seriousness that borders on overcommitment, which is exactly why it works. By the time Marty apologizes, in that small, almost embarrassed voice, for maybe not being ready for it, the joke has already landed in reverse. The audience is not ready, the decade is not ready, but the film is, and it leaves you with the uncomfortable sense that rock and roll, like time travel, only really makes sense once it has already happened. Enjoy
#Jimihendrix Reel by @radiowithdrawal (verified account) - "Little Wing" was released in 1967 on the Axis: Bold as Love album by the Jimi Hendrix Experience. 

Written by Hendrix, the song was inspired by Nati
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@radiowithdrawal
“Little Wing” was released in 1967 on the Axis: Bold as Love album by the Jimi Hendrix Experience. Written by Hendrix, the song was inspired by Native American mythology as well as his experience of happiness at the Monterey Pop Festival. The origins of “Little Wing” trace back to the 1966 recording of “(My Girl) She’s a Fox”, which features Hendrix playing guitar in a style inspired by Curtis Mayfield, one of his favorite teachers. The song would go on to be rated as one of the “500 Greatest Songs of All Time” by Rolling Stone. Excerpt: Well, she’s walkin’ Through the clouds With a circus mind That’s running wild Butterflies and zebras And moonbeams and fairy tales That’s all she ever thinks about Riding with the wind #jimihendrix #vinyl #rocknroll #60s #musiclover
#Jimihendrix Reel by @psychedelicarchives (verified account) - THE LOST HENDRIX FOOTAGE

In January 1969, Jimi Hendrix performed a blistering set at Stockholm Concert Hall. It was captured on tape, but nearly lost
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@psychedelicarchives
THE LOST HENDRIX FOOTAGE In January 1969, Jimi Hendrix performed a blistering set at Stockholm Concert Hall. It was captured on tape, but nearly lost forever. At the time, Sweden’s public broadcaster SVT regularly erased and reused tapes to save money. According to Catarina Wilson from SVT, this concert footage was meant to be erased too. Instead, some technician at the station likely realized its value and stashed it away. The reel, left unlabeled, sat in storage for decades. It wasn’t rediscovered until the early 2000s, when archivists began transferring old material to digital and found the full performance intact. During the show, Hendrix dedicated the set to “the American deserters society” — a reference to U.S. draft resisters avoiding the Vietnam War. The band peformed some all-time greats including Killing Floor, Spanish Castle Magic, Fire, Hey Joe, Voodoo Child (Slight Return), Red House, and Sunshine of Your Love. What remains is a gift from the music gods. Explosive footage of Hendrix on a night that was almost erased. Source: Open Culture, BBC, @lordrarerock.
#Jimihendrix Reel by @soundodysseyofficial - STEVIE RAY SUNDAY 🔥 

Stevie Ray Vaughan wasn't just playing guitar- 
he was channeling something else. 

Strat in hand, backed by Double Trouble, SR
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@soundodysseyofficial
STEVIE RAY SUNDAY 🔥 Stevie Ray Vaughan wasn’t just playing guitar— he was channeling something else. Strat in hand, backed by Double Trouble, SRV bent tone and time like few ever could. Explosive phrasing. Fluid runs. Bends that lived between pain and release. His vibrato didn’t just sing— it cried. Rooted in the fire of Albert King and the spirit of Jimi Hendrix, Stevie built something entirely his own. Blues… pushed to the edge of soul, jazz, and raw instinct. Cranked amps. Pick attack. Ghost notes, growls, and pure Texas shuffle. But behind the sound… there was a storm. By the mid-’80s, addiction nearly took everything. Until 1986—collapse, rehab, rebirth. And from that came In Step. Songs like Tightrope and Riviera Paradise— not just playing… but healing. Stevie Ray Vaughan was pain, power, and redemption— all in one sound. And when he played… it felt like truth at full volume. 🎸✨ #music #soul #guitar #legend #blues
#Jimihendrix Reel by @marsala_ai - St'ArancinA? 🍘🔥 #marsalaai 
#Marsala #Arancina #RockAndRoll #jimihendrix
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@marsala_ai
St’ArancinA? 🍘🔥 #marsalaai #Marsala #Arancina #RockAndRoll #jimihendrix
#Jimihendrix Reel by @hugofilho33 (verified account) - THE PRIDE OF TEXAS - Stevie Ray Vaughan & Double Trouble perform "Voodoo Child (Slight Return)" at Austin City Limits in 1989. As a guitarist being co
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@hugofilho33
THE PRIDE OF TEXAS - Stevie Ray Vaughan & Double Trouble perform “Voodoo Child (Slight Return)” at Austin City Limits in 1989. As a guitarist being compared to Jimi Hendrix is like a rec league basketball player being compared to Michael Jordan. Fortunately for Stevie Ray Vaughan, he is one of the very few to ever pick up a six-string and sit in the same league as the fuzzy-haired psychedelic blues forebearer. Now that’s a compliment that Vaughan no doubt adored considering Hendrix is the very man who inspired him to even amp his electric toothbrush up way beyond the Spinal Tap recommended level of 11. Stevie brought blues back in the 1980s and infused it with an adrenalised electronic edge. This scintillating sonic mix of the old and the new is what made his sound so iconic and it was his unrivalled skill that catapulted that unique sound into the rarefied air of the guitar greats. Speaking with Billy Pinnell in 1984, Vaughan recalled the moment that he first heard Hendrix and knew he wanted to be a guitarist. “It was in my bedroom,” he began, “my brother brought his first record home before it was really released in the States. He had a connection, I’m not sure who it was and of course, it blew me out.”

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