338.3K
4T𝐻𝒾𝓅 𝐻𝑜𝓅 𝒜𝓇𝒸𝒽𝒾𝓋𝑒𝓈 📽️📽️📽️ Digable Planets “Rebirth Of Slick {Cool Like Dat} (Yo! MTV Raps Live Fridays 1992)
@4th_qtr_trane2
#Digableplanets
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720.0K
HIDigable Planets – “9th Wonder (Blackitolism)”
Released in 1994, “9th Wonder (Blackitolism)” is a standout track from Digable Planets’ second album Blowout Comb. Produced by Butterfly alongside the group’s in-house team, the song reflects the trio’s shift away from the jazz-centric accessibility of Reachin’ toward a denser, more politically grounded sound. Lyrically rooted in Black consciousness, Afrocentric thought, and post-Native Tongues era philosophy, “9th Wonder” captures Digable Planets at their most deliberate and uncompromising. Blowout Comb would later be recognized as one of the most forward-thinking hip-hop albums of the 1990s, initially overlooked but eventually cemented as a cult classic.
#90srap #realhiphop #undergroundhiphop #boombap #goldenera classicrap hiphopheads oldschoolhiphop hiphoparchive rarehiphop
@hiphop__allstars
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STHappy 30th Birthday to Digable Planets’ debut album “Reachin’ (A New Refutation of Time & Space)”!!
As you know, we normally post our Extra Freshness series after the full episodes drop, but this felt timely and important.
We were lucky enough to interview Butterfly (full episode dropping later this month), and he shared this amazing story about the Digable’s first experience on Late Night with David Letterman.
Not every rapper was able to make it on the show, and if you were lucky enough to actually get the booking, you would soon find out that you couldn’t rock your instrumental off vinyl or use your own band to back you up. Instead they would have Paul Shaffer’s band do the arrangement. Here’s what Butterfly had to say about that.
Catch up on all episodes of Fresh Era now before Butterfly’s episode drops, anywhere you get your podcasts (Spotify, Apple Podcasts, Audible, etc).
#stupidflymedia
@stupidflymedia
35.1K
LI𝐋𝐢𝐯𝐞 𝐀𝐭 𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐞𝐞𝐫𝐭: 𝐃𝐢𝐠𝐚𝐛𝐥𝐞 𝐏𝐥𝐚𝐧𝐞𝐭𝐬
Na een knallend uitverkochte show in Patronaat Haarlem in 2024 keert Digable Planets terug naar Nederland! Op 25 augustus verwelkomen we de legendarische hiphopgroep bij Live At Amsterdamse Bos.
🎟 Kaarten zijn vanaf vrijdag 13 maart 11:00 verkrijgbaar via de link in onze bio!
De groep uit Brooklyn, bestaande uit Ishmael Butler (Butterfly), Craig Irving (Doodlebug) en Mary Ann Vieira (Ladybug Mecca), brak begin jaren ’90 internationaal door met hun Grammy-winnende hit “Rebirth Of Slick (Cool Like Dat)”. Met hun unieke mix van jazz-invloeden en hiphop groeiden ze uit tot een van de meest invloedrijke namen binnen de alternatieve hiphop. Met hun unieke mix van jazz-invloeden en hiphop groeiden ze uit tot een van de meest invloedrijke namen binnen de alternatieve hiphop.
Kort daarna verscheen hun debuutalbum ‘Reachin’, gevolgd door het veelgeprezen ‘Blowout Comb’, een kleurrijk en vooruitstrevend album dat thema’s als Black Liberation verkent. Met hun onderscheidende stijl en sterke artistieke visie wisten Digable Planets een blijvende stempel te drukken op de muziekwereld en generaties hiphopliefhebbers, jazzmuzikanten en creatieve vernieuwers te inspireren. Met een sterke onderlinge chemie en ontspannen podiumpresence weten ze ieder optreden een eigen dynamiek te geven. Geniet van dit concert tijdens een zwoele zomeravond in het Amsterdamse Bos.
Maak je avond extra bijzonder met een VIP-ticket. Geniet van vroege toegang, een gesigneerde poster, een meet & greet met de artiesten en een exclusieve VIP-pass.
📩 Krijg als eerste toegang tot de kaartverkoop voor de volgende aankondigingen. Schrijf je in voor onze nieuwsbrief via de link in de bio!
#digableplanets #liveatamsterdamsebos #amsterdam #zomerconcerten
@liveatamsterdamsebos
413.4K
OGSending out a big birthday shout to Ladybug Mecca of the Digable Planets. What is your favorite verse by her on a song?
#OGLegacy #ladybugmecca #digableplanets #90shiphop #90srap #boombap #realhiphop #hiphop #ladiesofhiphop #womenofhiphop #femalerappers #femalerapper
@og_legacy_official
11.8K
REDigable Planets - 9th Wonder (1994)
When I first saw this video back in the day, I wanted that exact Brooklyn tee even though I from down south 🔥🔥🔥
@planetsdigable
#digableplanets #9thwonder #shabazzpalaces #90sfashion #90sfashiontrends #90sfashions #90svintage #90sstyle #90sstreetwear #90shiphop #90shiphopjunkie
@reloadarchives
63.8K
THDigable Planets- Rebirth of Slick (Cool Like Dat), 1992
@the90sblock
30.2K
FUDigable Planets, "Where I'm From," 1993
@planetsdigable #digableplanets @shabazzpalaces #ishmaelbutler @ladybugmecca #ladybugmecca @officialdoodlebug #doodlebug #whereimfrom #hiphop #rap #goldenageofhiphop #funk #funky #90smusic #musicvideo #video
@funklife4ever
362.3K
DTThis is HIP-HOP salute 🫡 to #HipHop50 : “When Digable Planets won the Best Rap Performance by a Duo or Group Grammy for “Rebirth of Slick (Cool Like Dat)” in 1994, they accepted the award on behalf of “hip-hop music and black culture in general.”
Visit our site www.DTR360Books.com for #HipHopBooks 📚 or 🔗 in our bio.
#DTR360Books
@dtr360books__
131.3K
KIDigable Planets • Rebirth of Slick (1992)
"Rebirth of Slick (Cool Like Dat)" is a song by American hip hop trio Digable Planets, released as the first single from their debut album, Reachin' (A New Refutation of Time and Space), in November 1992. The black-and-white music video was directed by Morgan Lawley. The song contains a sample from "Stretching" by Art Blakey & the Jazz Messengers.
@kingblaq08
1.5M
NA+ 𝙳𝚈𝙺 (did you know) :. on this day in 1993 the great digable planets released their legendarily great debut album ‘reachin (a refutation of time & space)? settle into the sounds of the digitally digable, analog’d for ascension, casually cooled; like that (see note^)🔻.
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^ style: the muse of the music, the symbolism of the song, combined with the synergy of the in the dopeness of the analog’d, digitally digable.
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^ note:. passion, a word that sits at the spirit of digable planets’ artistic ethos. for all of the laid-back, effortlessly atmospheric music the ‘planets digable’ have created, their creativity is stoked by the spiritual intensity of the group’s three distinct personalities & their undeniable passions. their sound was like an even more idiosyncratic take on the jazzy sensibilities that had been popularized by the era, carried by samples of jazz & soul luminaries like the legendary herbie hancock, rahsaan roland kirk & others, along with a quirky, sometimes impenetrable, lyrical focus. the group adopted insect-derived stage names: ‘ladybug (eventually ladybug mecca”)’, the ‘doodlebug’ & ‘butterfly’. it was & is a dopeness that is always digable; & most definitely enduring. here, they deliver ‘rebirth of slick (cool like that)’.. also (if you’re wondering about the tune), we have spotify playlists with many goodies like this & more in there, so be sure to click the link in our bio to check out what we have curated for you (more playlists are being added often : all genres). now if you made it this far, thank you! feel free to share our content in your instagram story & tag us so we can show you some love in gratitude.
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don’t forget to join us on spotify (@ namuhueman)
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#namuhueman #digableplanets #coollikethat #doodlebug #ladybugmecca #butterfly #clubrenaissance #nitch #theancestralplane #rebirthofslick #artcomesfirst #flyageless #visionary #linktree #ascension #majesticcasual #voceux #spotifyplaylist #blackjazz #theseen #fortheculture #okaypressplay #thesampleacademy #spotify #loveislove #groovetheory #soultrain #lebronraymonejames #nmhmn.
@namuhueman
1.9K
THToni Braxton’s First EPK (1993)
🔎 In the summer of 1993, LaFace Records sent this Electronic Press Kit (EPK) video out via VHS tape to the media as an introduction to the label’s new artist, Toni Braxton.
The mini-documentary about Braxton’s self-titled debut album features interviews with Toni and her core team of collaborators: Babyface, LA Reid, and Daryl Simmons. “This is something I’ve wanted for such a long time, and I put all my eggs in one basket.” Toni says about her debut. “I have to have it. I have to make this happen for me.”
The video also features rare footage of Braxton performing live on a piano in the studio, including Toni’s twist on the gospel standard “He’s My All In All” and her original composition “Best Friend.”
Toni Braxton’s debut became the first LaFace album to hit number 1 on Billboard, selling over 10 million copies worldwide. She won Best New Artist at the 1994 Grammy Awards, beating out SWV, Digable Planets, Belly, and Blind Melon.
🗄️ The R&B Archive 🗄️
@the.rnb.archive
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