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BEOne of the most legendary friendships in cinema ended badly #JeanLucGodard #FrançoisTruffaut #Cinema #NouvelleVague
@benditospoilereng
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OCFrançois Truffaut was expelled from school, arrested for petty theft, and confined to a reformatory before he turned sixteen. His father tried to have him declared incorrigible. Then film critic André Bazin took him under his wing, got him out of trouble, and gave him a job at Cahiers du cinéma. Truffaut channeled his pain into The 400 Blows—a semi-autobiographical film about a neglected boy that launched the French New Wave and changed cinema forever. The final shot of The 400 Blows—Antoine Doinel running to the sea, then turning to face the camera in freeze frame—is one of the most famous images in film history. It was Truffaut looking back at his own life, freezing the moment where childhood ends and uncertainty begins. He went on to direct over twenty films, but that first one remained his most personal. Cinema didn't just save Truffaut's career. It saved his life. #FrancoisTruffaut #FrenchNewWave #The400Blows #FilmHistory #CinemaLegend
@occupy_cinema
66
AU🎬 The French New Wave revolutionized cinema in the late 1950s, breaking away from traditional storytelling and embracing a more experimental, personal approach. Pioneers like Jean-Luc Godard and François Truffaut used innovative techniques such as jump cuts and on-location shooting, infusing their films with a raw, spontaneous energy.
This movement not only changed the way stories were told but also influenced countless filmmakers worldwide.
As we celebrate this groundbreaking era, what’s your favorite film from the French New Wave?
@auteurgraph
157.9K
ARBefore becoming a filmmaker, François Truffaut was a sharp, often ruthless film critic for Cahiers du Cinéma. He publicly attacked established French directors and the French film industry. Because of this, he was banned from the Cannes Film Festival in 1958 after criticizing the festival itself.
A year later, he returned to Cannes not as a critic, but as a director with The 400 Blows. The film premiered at the 1959 Cannes Film Festival and won him the Best Director prize.
The film is deeply autobiographical. Truffaut had a troubled childhood in Paris. He struggled at school, clashed with his parents, and eventually spent time in a juvenile detention center. The character Antoine Doinel, played by Jean-Pierre Léaud, is essentially Truffaut’s alter ego.
The English title of the movie "400 Blows" is an overly literal translation of the original title. The original title stems from the French expression "Faire les quatre cents coups", a figure of speech meaning "to live a wild life", as the main character does. A better translation of the expression would be "to do the 400 dirty tricks".
Film: 400 Blows
@artof.cinema
3.5K
CIFrançois Truffaut was expelled from school, arrested for petty theft, and confined to a reformatory before he turned sixteen. His father tried to have him declared incorrigible. Then film critic André Bazin took him under his wing, got him out of trouble, and gave him a job at Cahiers du cinéma. Truffaut channeled his pain into The 400 Blows—a semi-autobiographical film about a neglected boy that launched the French New Wave and changed cinema forever.
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The final shot of The 400 Blows—Antoine Doinel running to the sea, then turning to face the camera in freeze frame—is one of the most famous images in film history. It was Truffaut looking back at his own life, freezing the moment where childhood ends and uncertainty begins. He went on to direct over twenty films, but that first one remained his most personal. Cinema didn't just save Truffaut's career. It saved his life.
ㅤ
#FrancoisTruffaut #FrenchNewWave #The400Blows #FilmHistory #CinemaLegend
@cinemaoccupy
547
SO🎬 La Rivoluzione della Nouvelle Vague torna sul grande schermo! 🎞️
Il cinema sta per essere travolto da una nuova ondata: arriva nelle sale italiane il 5 marzo Nouvelle Vague di Richard Linklater, un omaggio vibrante e in bianco e nero alla nascita di un movimento che ha cambiato tutto. 📽️✨
Dalla sfida di un giovane Jean-Luc Godard sul set di Fino all’ultimo respiro al genio di François Truffaut: Linklater ci riporta nella Parigi del 1959 per rivivere l'energia pura di quegli "autori" che hanno distrutto le regole.
🖼️ Vuoi portare un pezzo di questa rivoluzione a casa tua?
Su Soggettiva Gallery trovi una selezione esclusiva di poster d'arte dedicati ai capolavori di Godard e Truffaut. Dalla malinconia de I 400 Colpi all'estetica dirompente di Questa è la mia vita, l’iconico e melanconico Jules&Jim, l'imperdibile “Fino all’ultimo respiro” celebra i maestri della Nouvelle Vague con opere uniche in edizione limitata.
👉 Sfoglia la collezione su shop.soggettivagallery.com e preparati al ritorno dei maestri al cinema!
SCEGLI COME ACQUISTARE
- VISITA la sezione "Opere Disponibili" su www.soggettivagallery.com (link in bio)
- ACCEDI al nostro Shop su https://shop.soggettivagallery.com/ (link in bio)
#NouvelleVague #RichardLinklater #Godard #Truffaut #SoggettivaGallery #CinemaFrancese #PosterArt #MoviePosters #Cinefili
@soggettiva_gallery
34
ELDon’t let this one slip under the radar…
Next week we’re screening Nouvelle Vague, a stylish, witty love letter to French cinema and the rebellious filmmakers who changed movies forever.
Think Paris. Think cigarettes, cafés and big cinematic ideas. Think the spirit of directors like Jean-Luc Godard and François Truffaut when filmmaking broke all the rules and made cinema exciting again.
If you love film, this is pure cinema nerd joy. If you’ve never dipped into the French New Wave before, this is a brilliant place to start.
Wednesday 18th, 7:30pm.
🎟 Tickets available now and we’d love to see a full house for this one.
#elycommunitycinema #nouvellevague #films #whatsoninely
@ely_community_cinema
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MORichard Linklater firma un atto d’amore verso la Nouvelle Vague. Niente lezioni di storia polverose: qui Godard e Truffaut sono solo ragazzi sfacciati, armati di cinepresa e pronti a smontare il mondo. È un racconto che cattura l'energia di chi non ha nulla da perdere se non la propria mediocrità.
Un film che celebra il caos e la libertà assoluta. Linklater cattura l’istante esatto in cui il cinema ha smesso di seguire le regole per iniziare a correre sui marciapiedi di Parigi. Si esce dalla sala con una voglia matta di prendere in mano una camera e ricominciare a filmare tutto.
#NouvelleVague #RichardLinklater #Godard #Truffaut #FilmReview
@mojo_cinema
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_MBefore the #FrenchNewWave unofficially kicked off with films like Claude Chabrol’s Le Beau Serge, François Truffaut’s (@ftruffaut) The 400 Blows, and Jean-Luc Godard’s (@godardongodard) Breathless, #AgnèsVarda had already laid down the movement’s #aesthetic foundation with her 1955 debut #LaPointeCourte. Though Varda merely followed her own creative vision, utilizing her skill at photography to depict two stories unfolding in a French community, she inadvertently inspired concepts for “#LaNouvelleVague” while her would-be contemporaries were still writing film reviews for Cahiers du Cinéma (@cahiersducinema_officiel). Throughout her expansive and often experimental career, Varda (@agnes.varda) has communicated simple truths while challenging viewers to decide, for themselves, what’s natural and what’s an intervention specifically designed to inspire a sensory response. This video essay examines the core themes of Varda’s first three features, and how similar principles influenced her documentaries and short films.
@_marciopadilha_
892
BEUna de las amistades más lengedarias del cine, terminó mal #NouvelleVague #JeanLucGodard #FrançoisTruffaut #Películas
@benditospoiler
79
WACome è nato A bout de souffle (Fino all'ultimo respoiro) di Godard? Perché ha cambiato la storia del cinema? Ce lo racconta, senza retoriche celebrative e con grazia invidiabile, Richard Linklater in questo film. Ci sono tutti: Godard, Belmondo, Jean Seberg. E quella Parigi del 1959 dove tutto poteva accadere e accadeva. Raccontare la nascita di un’opera tanto venerata è impresa da cui chiunque dotato di buonsenso si terrebbe lontano. Ci voleva un intemerato texano come Richard Linklater per provarci. Missione piuttosto riuscita.
#NouvelleVague #RichardLinklater #FilmReview #Cinema #RecensioneFilm #walterciusa #jeanpaulbelmondo #bebel #jeanseberg #cinemafrancese
@walterciusa
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CIA Companhia de Truffaut
Passamos três meses na companhia de François Truffaut — isto é, na companhia das tragédias e ludicidades do amor; das homenagens muito próprias aos filmes “B” americanos e ao noir; do amor à literatura e ao teatro; de seu fascínio pelo feminino e de seu encanto pelas crianças. Em suma, de um dos cineastas mais amados do cinema e, certamente, um dos que mais o amaram — Se o cinema era mais importante do que a vida? Para Truffaut, a vida vinha primeiro, mas o cinema era a única forma de dar vida à vida.
Exibimos, em sessões apresentadas pelos curadores Mel e Fabricio e discutidas com o público, todos os seus 21 longas, do autobiográfico Os Incompreendidos ao seu último filme, De Repente, Num Domingo. Encerramos com A Noite Americana, que condensa sua poética, seu amor pelo cinema e ecoa, como em espelho, filmes anteriores e posteriores.
Intitulamos a mostra “Truffaut como ele gostaria de ser visto” e propusemos um périplo não cronológico por sua filmografia. Truffaut fazia cada filme como um deslocamento do anterior — talvez por isso tenha desconcertado crítica e público ao apresentar Atirem no Pianista após o sucesso de estreia. Acompanhamos a aventura de seu alter ego nos cinco filmes do ciclo Antoine Doinel, interpretado por Jean-Pierre Léaud, e vimos o próprio Truffaut protagonizando três de seus filmes.
O teaser da mostra encontra aqui seu desfecho. Para quem percorreu esse caminho, cada imagem já não é apenas um fragmento, mas a visão de uma experiência: reconhecem-se os filmes, recompõem-se trajetórias, e cada um refaz, à sua maneira, as ligações afetivas, intelectuais e sensíveis com esse universo. Foi, para nós, um percurso inesquecível.
Encerramos um percurso; o cinema — e Truffaut —, como sempre, continuam.
Depois de Truffaut, passaremos à obra e olhar de Agnès Varda. Aguardem!
Obrigado ao público pela companhia e à @saladearte_oficial pelo apoio e parceria com o Cinematógrafo!
@cinematografo_ssa
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