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#Ryofukui Reel by @withsound - For Sale Please visit my store by profile. More photos → @withsoundrecord MOTOHIKO HINO Toko Flash Bass - Nobuyoshi Ino Drums - Motohiko Hino Piano
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@withsound
For Sale Please visit my store by profile. More photos → @withsoundrecord MOTOHIKO HINO Toko Flash Bass – Nobuyoshi Ino Drums – Motohiko Hino Piano – Masahiko Satoh Condition; SLEEVE:EX, VINYL:NM, Label; TRIO PA-9758 Year; Comments; Japanese 2nd Press. #withsoundrecord #vinylforsale #ebay #discogs #japanesejazz
#Ryofukui Reel by @vinylvault.shop (verified account) - Japanese Jazz isn't a mere echo of Western sounds; it's a reclamation. For Toshiko Akiyoshi, Jazz was never a borrowed style: it was her native langua
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@vinylvault.shop
Japanese Jazz isn’t a mere echo of Western sounds; it’s a reclamation. For Toshiko Akiyoshi, Jazz was never a borrowed style: it was her native language. Moving to the US in 1956, she fought to prove that authenticity isn’t tethered to geography. Her career became a masterclass in cultural translation and pioneering grit. Then there’s the discipline of Ryo Fukui. Most legends start in childhood, but Fukui didn’t touch a piano until he was 20. His journey in Sapporo was a sprint to catch up, resulting in modal recordings defined by a raw, urgent touch that feels entirely singular. It wasn’t about the scene; it was about the obsession. This drive for perfection peaked with the Three Blind Mice label. Their relentless pursuit of audio purity: using close-mic techniques and 180g pressings: ensured that every bass pluck and snare brush hit with absolute immediacy. At its core, J-Jazz is the intersection of technical precision and deep, personal motivation. We’ve gathered these essential pressings in the shop. High-fidelity, independent, and vital. #JapaneseJazz #ToshikoAkiyoshi #RyoFukui #VinylVault
#Ryofukui Reel by @turntablelab (verified account) - #ttlselected: Isao Suzuki Trio / Black Orpheus (1976) 1st time on vinyl in 30+ years ⇢at the lab
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@turntablelab
#ttlselected: Isao Suzuki Trio / Black Orpheus (1976) 1st time on vinyl in 30+ years ⇢at the lab
#Ryofukui Reel by @dufsen - Japanese Jazz Sunday Allan Praskin Quartet - Encounter Three Blind Mice, Japan, 1971 Drums: Motohiko Hino Bass: Yoshio Ikeda Guitar: Kiyoshi Sugimot
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@dufsen
Japanese Jazz Sunday Allan Praskin Quartet - Encounter Three Blind Mice, Japan, 1971 Drums: Motohiko Hino Bass: Yoshio Ikeda Guitar: Kiyoshi Sugimoto Alto Saxophone: Allan Praskin #japanesejazz #jjazz #allanpraskinquartet #kiyoshisugimoto #hifi
#Ryofukui Reel by @citypopsongs (verified account) - Part 3 of this series, here are 5 more Japanese jazz fusion records beyond the usual Casiopea/Takanaka recommendations. We're mostly staying in the 70
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@citypopsongs
Part 3 of this series, here are 5 more Japanese jazz fusion records beyond the usual Casiopea/Takanaka recommendations. We’re mostly staying in the 70s with this one (my fave period) with some records that are on heavy rotation for me including my favorites Shigeharu Mukai and Jun Fukamachi. As always - enjoy ! #takanaka #recordcollection #jazzfusion #casiopea #vinyl
#Ryofukui Reel by @exiliomusicpublishing - Descubre nuestra playlist curada de Modern Latin Jazz, con música de Juan Chaves, Nizinba y Fifo Rengifo, junto a otros artistas del jazz latino que e
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@exiliomusicpublishing
Descubre nuestra playlist curada de Modern Latin Jazz, con música de Juan Chaves, Nizinba y Fifo Rengifo, junto a otros artistas del jazz latino que están rompiendo esquemas. Donde la tradición se encuentra con el groove contemporáneo: armonías ricas, ritmos audaces y un sonido latino auténtico. Escucha y síguenos aquí: 🔗 https://open.spotify.com/playlist/06Ljg7qaN9zvRR7j1p42dU?si=d1c96eb90f794364&nd=1&dlsi=ef7444f9485447d9 #latinjazz #newmusic #newartists #exiliomusic #playlist Comparte la buena vibra.
#Ryofukui Reel by @dufsen - Today I'd like to introduce two different versions of a song. One is the album version, the other a live recording. Although it's the same song, the t
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@dufsen
Today I’d like to introduce two different versions of a song. One is the album version, the other a live recording. Although it’s the same song, the two versions capture different moods and nuances. For me, that’s always a good reason to listen to live recordings, even if you’re already familiar with the songs from studio albums. #japanesejazz #terumasahino #vinyl #vinylcollector #jjazz
#Ryofukui Reel by @dufsen - Japanese Jazz Sunday Hiromasa Suzuki - Colgen World Toshiba Records, Japan, 1976 Piano: Hiromasa Suzuki Bass: Kunimitsu Inaba Drums: Motohiko Hino
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@dufsen
Japanese Jazz Sunday Hiromasa Suzuki - Colgen World Toshiba Records, Japan, 1976 Piano: Hiromasa Suzuki Bass: Kunimitsu Inaba Drums: Motohiko Hino #japanesejazz #jjazz #hiromasasuzuki #jazzrecords #hifi
#Ryofukui Reel by @dufsen - Japanese Jazz Sunday Shigeharu Mukai - Favorite Time Teichiku Records, Japan, 1976 Trombone: Shigeharu Mukai Bass: Hideaki Mochizuki Piano: Fumio It
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@dufsen
Japanese Jazz Sunday Shigeharu Mukai - Favorite Time Teichiku Records, Japan, 1976 Trombone: Shigeharu Mukai Bass: Hideaki Mochizuki Piano: Fumio Itabashi Electric Guitar: Kazumi Watanabe #japanesejazz #jjazz #shigeharumukai #jazzrecords #hifi
#Ryofukui Reel by @citypopsongs (verified account) - One of the defining Japanese fusion records of the late '70s. Guitarist Kazumi Watanabe was already gaining international attention around this time.
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@citypopsongs
One of the defining Japanese fusion records of the late ’70s. Guitarist Kazumi Watanabe was already gaining international attention around this time. KYLYN came out of the “weekly sessions” project at Roppongi PIT INN in February 1979 and was produced by fellow PIT INN regular Ryuichi Sakamoto. The lineup is basically a dream team of late-’70s Japanese musicians, including Yukihiro Takahashi, Akiko Yano, Shuichi Murakami, Shigeharu Mukai and more. Released on the legendary Better Days label — the same forward-thinking imprint behind many artists connected to Sakamoto and the broader Japanese crossover movement. The album mixes Watanabe and Sakamoto compositions with a cover of “Milestones,” moving between mellow fusion, funk, and this wonderful track featuring the extraordinary Akiko Yano. #vinyl #recordcollection #record #jazzfusion #japanesejazz
#Ryofukui Reel by @wabi_records - Toshiko Akiyoshi / The Personal Aspect In Jazz (original 1971) VICTER/ CD4B-5007 A masterful work in which Toshiko Akiyoshi quietly blends her Japane
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@wabi_records
Toshiko Akiyoshi / The Personal Aspect In Jazz (original 1971) VICTER/ CD4B-5007 A masterful work in which Toshiko Akiyoshi quietly blends her Japanese roots with modern jazz. Featuring a quartet with Lew Tabackin, the album includes richly textured performances such as “Sumie,” where a distinct sense of Japanese aesthetics meets both tension and lyricism.
#Ryofukui Reel by @recomon2234 - SOLD OUT❕Arigatou Always🙏Tome Asagami - Yuwaku. A smooth and smoky cut from 1981, released on ALFA and produced by Miki Curtis. Silky vocals, mellow
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@recomon2234
SOLD OUT❕Arigatou Always🙏Tome Asagami – Yuwaku. A smooth and smoky cut from 1981, released on ALFA and produced by Miki Curtis. Silky vocals, mellow groove, and that late-night tension that sits just beyond the obvious city pop path. If you only know the classics, go a little deeper. Link in bio. #tomeasagami #yuwaku #japanesevinyl #japanesemusic #japaneseaor

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