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#Samjones Reel by @themoodofjazz (verified account) - Em 1962, no programa Jazz Scene, o grupo liderado por Nat Adderley e Cannonball Adderley apresenta uma versão poderosa de "Work Song", composição de N
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@themoodofjazz
Em 1962, no programa Jazz Scene, o grupo liderado por Nat Adderley e Cannonball Adderley apresenta uma versão poderosa de “Work Song”, composição de Nat que se tornou um dos pilares do hard bop. A formação é de peso: Yusef Lateef acrescenta profundidade e lirismo ao sax tenor, expandindo o espectro sonoro do grupo; Joe Zawinul oferece um piano sofisticado, com acordes densos e impulso rítmico marcante; Sam Jones sustenta a estrutura com firmeza melódica e swing constante; enquanto Louis Hayes conduz com precisão e energia vibrante. “Work Song” nasce de uma linha de baixo quase hipnótica, inspirada em cantos de trabalho, e se desenvolve como um diálogo entre tradição bluesy e modernidade modal. Cannonball sopra com intensidade calorosa e fraseado comunicativo, Nat responde com clareza e ataque preciso, e Lateef acrescenta uma camada contemplativa que amplia a dimensão musical do conjunto. Esse registro ao vivo captura o grupo em plena maturidade: técnica, groove e comunicação direta com o público. Um retrato definitivo do hard bop como música sofisticada e, ao mesmo tempo, visceral. #CannonballAdderley #NatAdderley #joezawinul #HardBop #JazzHistory
#Samjones Reel by @samjonesofficial - Live d lhbal chez Sam Jones 🫣💯😱prix chooc✅🫣🎁❤️🎁🫣✅🌹🇲🇦💯❌🔥🎁❤️🫣🫣🫣🎁🎁🫣🫣❌❌😱😱❤️😱😱❤️❤️❤️
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@samjonesofficial
Live d lhbal chez Sam Jones 🫣💯😱prix chooc✅🫣🎁❤️🎁🫣✅🌹🇲🇦💯❌🔥🎁❤️🫣🫣🫣🎁🎁🫣🫣❌❌😱😱❤️😱😱❤️❤️❤️
#Samjones Reel by @jazzcorner_ (verified account) - "There's no future without the past and anybody who doesn't really understand where jazz has come from has no right to try to direct where it's going.
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@jazzcorner_
“There’s no future without the past and anybody who doesn’t really understand where jazz has come from has no right to try to direct where it’s going.” Cannonball Adderley Julien “Cannonball” Adderley was one of the most electrifying alto saxophonists in modern jazz. Known for his exuberant sound and soulful phrasing, Adderley helped bridge bebop with blues, funk, and gospel influences—making his music accessible without ever losing sophistication. His nickname “Cannonball” came early on, a playful twist on “cannibal,” thanks to his famously big appetite as a Florida schoolboy. The name stuck, and so did his larger-than-life presence on the bandstand. From his work with Miles Davis on Kind of Blue to his own hits like Mercy, Mercy, Mercy, Adderley remains a vital voice whose joyful spirit continues to inspire. On this version of brother Nat Adderley’s “Jive Samba,” the group featured Cannonball on alto sax, Nat on cornet, Charles Lloyd on flute, Joe Zawinul on piano, Sam Jones on bass, Louis Hayes on drums in 1964. Cannonball Adderley: Sept 15, 1928 - Aug 8, 1975 #cannonball #adderley }#altosax #jazz
#Samjones Reel by @katiethiroux - BASSICS of Playing a 2️⃣ Feel! 

This is a valuable skill for ANY bass player and it's almost a "lost art!"

I'm giving you MY summarized version of w
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@katiethiroux
BASSICS of Playing a 2️⃣ Feel! This is a valuable skill for ANY bass player and it’s almost a “lost art!” I’m giving you MY summarized version of what I learned from transcribing and listening…so go transcribe and listen! 👉FIRST: Go listen to the greats and transcribe them: Paul Chambers, Sam Jones, Israel Crosby, Peter Washington, Milt Hinton, David Wong, John Clayton, Ray Brown, Scott LaFaro and many - MANY others! There are SO many different ways to play in 2! I’m just skimming the “bassics” in this tip!😊 👉WHY: It literally provides a different feel! It gives you a lot of freedom to know how to play in 2 and when you’re listening to the musicians you’re playing with - it helps you to contribute to The Music! 🙏 👉HOW: (this is perfect if you’re new) 1️⃣ Play 1/2 notes using the root 2️⃣ Play 1/2 notes - root on beat 1 and the 5th on beat 3 (notice the length of your notes) 3️⃣ Same but then beat 3 into 1/4 notes and play the 5th 4️⃣ Same, turn beat 4 into a chromatic note approaching beat 1 5️⃣ Play 1/2 note root, beat 3 5th and turn beat 4 into 1/8th notes repeating the 5th 6️⃣ Same and on beat 4 add a chromatic note to approach beat 1 of the next measure 7️⃣ Repeat the whole exercise using triplets! 8️⃣ Try using the 1/8th notes and triplets to help you move around the bass 9️⃣ Now just PLAY for many choruses and start to hear what YOU like and it works with the Music I love to teach, DM for lessons or check out my courses on 👊 💥KT’S Minute Tips 💥Come back MOST Friday to check out tips on bass, voice and more 👊 #ktsminutetips #music #musician #jazz #contrabass #jazzbass #katiethiroux #acousticjazz #contrabajo #doublebass #doublebassist #jazzbassist #bassplayer #bassporn #uprightbass #bassist #bassistsofinstagram #basslessons #bassplayersunited #jams world 👗 jams_world
#Samjones Reel by @scenestudyla - "Are you acting right now?" - Don Cheadle on @offcamerashow with Sam Jones #laactor #laacting #auditiontips #audition #acting #theater #theaterlife
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@scenestudyla
“Are you acting right now?” - Don Cheadle on @offcamerashow with Sam Jones #laactor #laacting #auditiontips #audition #acting #theater #theaterlife
#Samjones Reel by @darynndean (verified account) - Listening to JAZZ with my Grandaddy in the Car 🚗🎹🎶🎤 Part 11 My drumming Grandaddy @donalddeansr keeps em coming! 🔥Today we listened to the great
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@darynndean
Listening to JAZZ with my Grandaddy in the Car 🚗🎹🎶🎤 Part 11 My drumming Grandaddy @donalddeansr keeps em coming! 🔥Today we listened to the great Cedar Walton’s version of “Off Minor” written by Thelonious Monk. In his band was Billy Higgins on drums, Bob Berg on tenor saxophone, and Sam Jones on bass. What a combo. I hadn’t heard this verison and they really set off🎶 #jazz #cedarwalton #tsmonk #offminor
#Samjones Reel by @oscarpetersonofficial (verified account) - Here's OP soloing on "Waltzing is Hip" from Prague in 1969. Sam Jones on bass and Bobby Durham on drums. 
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#oscarpeterson #jazzgiant #jaz
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@oscarpetersonofficial
Here's OP soloing on "Waltzing is Hip" from Prague in 1969. Sam Jones on bass and Bobby Durham on drums. . . . . . . . #oscarpeterson #jazzgiant #jazz #jazzlegend #piano #jazzpiano #musicvideo #musicclip #videoclip #bhm2023 #blackhistorymonth #música #musichistory #live #concert #performance #trio #jazztrio #pianist #jazzpianist #pianosolo #jazzsolo #legend #goat #pianoplayer #jazzmusician #solo #songoftheday #instamusic
#Samjones Reel by @marklbass - On Sam Jones' "Seven Minds" from a concert in Florida last week. 

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#bass #bassist #bassplayer #bassplayersunited #doublebass #dou
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@marklbass
On Sam Jones’ “Seven Minds” from a concert in Florida last week. • • • • • • • • • • #bass #bassist #bassplayer #bassplayersunited #doublebass #doublebassist #doublebassplayer #uprightbass #uprightbassist #jazzbass #jazzbassist #jazzbasslovers
#Samjones Reel by @helioochevrand - #Repost @jazzphotoarchives
📷 Another Country in New York (1971): Details from Daido Moriyama's Photographs.

Another Country in New York encompasses
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@helioochevrand
#Repost @jazzphotoarchives 📷 Another Country in New York (1971): Details from Daido Moriyama’s Photographs. Another Country in New York encompasses the artist’s 1971 trip to New York in snapshots of the airplane, the hotel room, street life, and billboards. It was the artist’s first trip outside of Japan. The odd frames, dynamic diagonal compositions, and flashing lights capture the overwhelming sense of the urban landscape in black and white photographs inhabited by both turmoil and beauty. The series refers to the title of the 1962 book by the author James Baldwin, Another Country. Set in New York, Baldwin narrates aftermath of the tragic death of a young man. Yet, the book is truly a portrait of New York City as every sentence pulsate with urban buzz. It is no surprise that Moriyama refers to this book, as he places his finger carefully on the city’s pulse to press the shutter-release. Describing photography as a ‘fossil of light and time’, his audiences are offered a fragment of an elucidated, long-gone moment. His works are portraits of the urban mystery, not an attempt to solve it. This sense of mystery is reflected in the double prints, where two photographs are printed as a sequence; two images are paired revealing stark oppositions or overwhelming impressions of New York. The soundtrack: "Park Avenue Petite" by Benny Golson and performed by Blue Mitchell Sextet. It was included in the album "Blue Soul" recorded in September 30, 1959 and released on the Riverside label. Blue Mitchell – trumpet Curtis Fuller – trombone Jimmy Heath – tenor saxophone Wynton Kelly – piano Sam Jones – bass Philly Joe Jones – drums 🎷 Join the @jazzphotoarchives & @thejazzlibrary Collective! 🔗 Support the collective through the store. (Click on the link in bio) #daidomoriyama #1970s #jazzphotography #oldnewyork #newyork #noir #noirphotography #streetphotography #photographymasters #film #expressionism #noirfilm #noirish #vintagephotography #oldphotography #nightphotography #style #helioochevrand✨
#Samjones Reel by @foozies.foofightersnews - Tonight 06/11/23, Chris Shiflett joined filmmaker/photographer Sam Jones & his band The Spoilers on stage at The Hotel Cafe in Los Angeles. Fred Armis
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@foozies.foofightersnews
Tonight 06/11/23, Chris Shiflett joined filmmaker/photographer Sam Jones & his band The Spoilers on stage at The Hotel Cafe in Los Angeles. Fred Armisen also joined on drums.After a screening of the Wilco documentary “I Am Trying To Break Your Heart” plus a discussion with Sam Jones, (Chris interviewed Sam). Here’s a clip of the band + Chris Shiflett covering The Clash. More footage to come soon, plus interview footage as well. #ChrisShiflett #SamJones #FredArmisen #TheSpoilers #HotelCafe #FooFighters #Wilco #IamTryingToToBreakYourHeart
#Samjones Reel by @bajazzmagazine (verified account) - Feliz cumpleaños Cannonball 🔥
Posted @withregram • @thejazzestate Remembering the great Cannonball Adderley who was born on this day in 1928. Best-kn
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@bajazzmagazine
Feliz cumpleaños Cannonball 🔥 Posted @withregram • @thejazzestate Remembering the great Cannonball Adderley who was born on this day in 1928. Best-known for his work on alto saxophone and for his recordings with Miles Davis and with his own small groups, Adderley was an extremely gifted musician technically, known for an improvisational style that featured restless, highly decorated, often florid lines; emphatic blues harmonies; and a full, rich tone. As jazz became more atonally obtuse and rhythmically complex during the 1960s, Adderley’s straightforward approach helped keep jazz popular with mainstream audiences. He appeared on the landmark albums like Kind of Blue and Milestones” and had a massive hit with “Mercy Mercy Mercy,” climbing to No.11 on the Billboard Hot 100 in 1967. Here, he is performing “Work Song” with Nat Adderley on cornet, Joe Zawinul on piano, Sam Jones on bass and Louis Hayes on drums live on Jazz Scene in 1962. #jazz #cannonballadderley
#Samjones Reel by @fmblackie - 🎵Hoy recordamos al gran Cannonball Adderley 🎷

🎷Más conocido por su trabajo en el saxofón alto, Adderley fue un músico extremadamente talentoso téc
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@fmblackie
🎵Hoy recordamos al gran Cannonball Adderley 🎷 🎷Más conocido por su trabajo en el saxofón alto, Adderley fue un músico extremadamente talentoso técnicamente, conocido por su estilo improvisativo que presentaba líneas inquietas, altamente decoradas y a menudo floridas; armonías de blues enfáticas; y un tono completo y rico. 🎵A medida que el jazz se volvía más atonal y rítmicamente complejo durante la década de 1960, el enfoque directo de Adderley ayudó a mantener el jazz popular entre el público en general. Apareció en álbumes emblemáticos como "Kind of Blue" y "Milestones" y tuvo un gran éxito con "Mercy Mercy Mercy", que llegó al puesto número 11 en el Billboard Hot 100 en 1967. 📽Aquí lo vemos interpretando "Work Song" con Nat Adderley en la corneta, Joe Zawinul en el piano, Sam Jones en el bajo y Louis Hayes en la batería en vivo en Jazz Scene en 1962 #CannonballAdderley #JazzLegend #Saxofonista #MúsicaJazz #Improvisación #KindOfBlue #MercyMercyMercy #JazzScene #IconoDelJazz #MúsicaEnVivo #LegadoMusical #SoloJazz #FmBlackie

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