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Offering a vivid portrait of one of India’s most celebrated filmmakers, this vast and valuable photographic archive, now housed at DAG and built over a lifetime of work by Nemai Ghosh, reveals a windo
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From her early drawings and paintings of the 1960s, where the influence of Paul Klee’s abstraction is discernible, to her most recent body of work exhibited by DAG in 2025, 𝙈𝙖𝙙𝙝𝙫𝙞 𝙋𝙖𝙧𝙚𝙠𝙝:
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#DeadlineExtended DAG continues to invite doctoral and postdoctoral scholars, along with experienced researchers, to contribute to an upcoming project and volume on Indian modern art. The initiative a
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The works shown here, as part of our ongoing exhibition 𝙀𝙥𝙤𝙘𝙝𝙖𝙡, reflect what it meant for artists to imagine the nation, before and after Independence, amid uneven transformations in the after
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#Last5Days With a wide spectrum of artistic practices, from the large-format aquatints of Henry Salt and James Baillie Fraser — inspired by the commercial success of the Daniells—to the intimate rural
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Raghu Rai (1942–2026) A master of light, shadow and human moments. Rest in peace. Raghu Rai, 𝘈 𝘗𝘪𝘭𝘨𝘳𝘪𝘮, 𝘝𝘢𝘳𝘢𝘯𝘢𝘴𝘪, inkjet print on archival paper, 1974, 30.0 x 20.0 in.
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#OpeningSoon DAG’s sustained engagement with the visual archive of Nemai Ghosh extends through Faces and Facets: Satyajit Ray in Colour—an exhibition showcasing Nemai Ghosh’s colour photographs that p
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In 𝘍𝘭𝘢𝘮𝘦 𝘰𝘧 𝘓𝘰𝘷𝘦, M. A. R. Chughtai presents a moment suspended between longing and devotion. The female figure, shown in profile, lifts her loosened hair as though to bind it to the jaali—
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How were moments of empire made visible—and remembered? This scene, recorded by Henry Martens in 1853, depicts the ceremonial presentation of medals to the Bombay Fusiliers at Poona. At its centre is
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Revisiting the years following 1947, Epochal foregrounds a broad and dynamic network of artists negotiating the relationship between tradition and modernity moving beyond narratives centred on a few d
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What you’re seeing isn’t just beautiful pottery—it’s the story of an industrial revolution in clay. In 18th-century Staffordshire, steam power, canal networks, and massive kilns transformed ceramics i
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Which detail unsettles you the most in these paintings? In the practice of Bikash Bhattacharjee, surrealism takes on a distinctly local and psychological form. We witness an edgy, uneasy sense of the
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About @dag.world

DAG (formerly Delhi Art Gallery) is a verified Instagram macro influencer in the Art Gallery category. With 102.8K followers and 12 posts, dag.world's account shows a follower-to-following ratio of 778.6:1. This profile has significant reach and engagement potential for brand collaborations. View all content anonymously on Pictame - no login required.

dag.world's engagement rate sits at 1.45%. For accounts with 100K-500K followers, the average is around 1.8%, so there's some room to grow — though every community is unique.

Out of the last 12 posts, 8% are videos and 92% are photos. Notably, photos tend to get 5.9x more engagement than videos. New posts appear roughly every 2 days — a steady, reliable rhythm. Captions lean detailed, averaging 953 characters.

1.45% engagement rate — room to grow compared to average for 100K-500K follower accounts.
8% videos, 92% photos. Photos get 5.9x more engagement here.
New content every 2 days — a steady rhythm.
778.6:1 follower-to-following ratio.

FAQs About @dag.world

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dag.world
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@dag.world

DAG (formerly Delhi Art Gallery)

PublicArt Gallery
Posts
12
Top Hashtags
#DAGDelhi#linkinbio#DeadlineExtended#Last5Days#Planyourvisit#OpeningSoon

Explore the most impactful hashtags used in recent posts. These tags highlight the core interests and trending topics that define this profile's digital influence and content strategy.

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Popular Hashtags

#travel#follow#explorepage#happy#picoftheday#cute#style#instalike#beauty#tbt#summer#fitness
Followers
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Following
132
Avg. Likes
1.5K
Avg. Comments
6
Engagement
1.45%

Estd. 1993. Home to a definitive collection of pre-modern & modern Indian art spanning 18th-20th centuries. Galleries in...

dagworld.com/exhibitions.html
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