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Wind Drawn Circles of Rot, 2023-25. 22"x30", relief and Kitakata collΓ©e on Hahnemuhle Cotton Rag. Photographed during my solo exhibition "To Hold and Be Held" at the Anna Leonowens Gallery in Februa
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Crack - Flip, 2023-25. 31.5”x48”, Copperplate Etchings and zinc-plate aquatint with Kitakata collΓ©e on Hahnemuhle Cotton Rag. Photographed during my solo exhibition β€œTo Hold and Be Held” at the Anna
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Stones, 1-108 from an ongoing series of 113, 5”X7”, experimental zinc plate aquatints, drypoint, and relief on Hahnemuhle cotton rag. Photographed during my solo exhibition β€œTo Hold and Be Held” at
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Drawings made from life in April. The fenced off trees seen through the bedroom window. A gull that struck the Christina Parker gallery window, drawn through the balcony door. A tree which reroo
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Theses are recent experiments in colour and acid tinting, printed as one and three layer lithographs wherein the key drawing is printed over a flat and then reduced and printed again in a complimentar
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Every proof is a little heartbreak. I know what this drawing should look like and how it could print, but for every possible reason I haven’t managed to get it there. This stone is making me question
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Etch a stone with me! I can’t decide if I’m excited or scared to print this drawing. I’ve been working on it for about a month now. It will be my first time printing to the edge of the stone. But the
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I can’t feel my arms. When the power goes out while printing, it’s important to remember your printer runs on caffeine and a dream. I calendared 20 full sheets of hahnemuhle cotton rag paper today.
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One day… β€’ β€’ β€’ β€’ One day this stone will be perfectly level. One day the ghost will disappear. One day I’ll get to 220 without scratching. Today is not that day. Praying to the #lithography gods.
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February 22 2026, Quidi Vidi Lake. Drawings made hastily using water soluble graphite activated by the falling snow. The snow was up to our waist in places, and it was windy enough that Julie got hit
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Abandoned Catch and Gull’s Foot Stone lithography with kitakata collΓ©e on Hahnemuhle cotton rag, 6”x8” plate, 14”x16” paper size. 6 and 7 of 14 in my series of holdings 2024-25. Beach combing finds
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Drawings and photos from Newfoundland. Drawing feels productive and gets me out exploring, but transitioning out of studio drawing is humbling. Light shifts, weather changes, and I am too slow. Dr
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About @ojarsky

Oscar Jarsky is a Instagram growing creator in the Artist category. With 774 followers and 12 posts, ojarsky's account shows a follower-to-following ratio of 1.1:1. View all content anonymously on Pictame - no login required.

ojarsky's engagement rate sits at 23.37%. That's 367% above what you'd typically see for accounts with 1K-10K followers (average 5%) β€” a sign of a genuinely connected audience.

Out of the last 12 posts, 33% are videos and 67% are photos. Notably, videos tend to get 10.2x more engagement than photos. Content shows up about every 26 days. Captions lean moderate, averaging 353 characters.

23.37% engagement rate β€” 367% above average for 1K-10K follower accounts.
33% videos, 67% photos. Videos get 10.2x more engagement here.
Posts about every 26 days.
1.1:1 follower-to-following ratio.

FAQs About @ojarsky

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ojarsky
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@ojarsky

Oscar Jarsky

PublicArtist
Posts
12
Followers
774
Top Hashtags
#printmaking#lithography#litho#printshop#print#stonelithography#drawing#sketching

Explore the most impactful hashtags used in recent posts. These tags highlight the core interests and trending topics that define this profile's digital influence and content strategy.

Following
697
Avg. Likes
178
Avg. Comments
3
Engagement
23.39%

NSCAD 2025, BFA in Fine Arts