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#Chorus Reel by @dailychoirs (verified account) - ⏰ If your feed hasn't been blessed by Jennifer Lucy Cook's (@jenlucycook) "Time" yet, consider this your official initiation. This piece has taken the
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@dailychoirs
⏰ If your feed hasn’t been blessed by Jennifer Lucy Cook’s (@jenlucycook) “Time” yet, consider this your official initiation. This piece has taken the choral world by storm because it doesn’t just sing about time—it actually embodies it. The rhythmic layering, the spoken-word elements, and the percussive “ticking” of the voices create a soundscape that feels both frantic and perfectly controlled. The Cantanti Singers (Gr. 9-12) from Angelica Cantanti Youth Choirs, led by Philip Brown, lean into that specific “minimalist” energy that makes the text feel so urgent. It’s a brilliant exploration of how we perceive the passing seconds, and seeing a youth ensemble handle these complex cross-rhythms with such ease is a total vibe. Do you think this modern “spoken-singing” style is the future of youth choir repertoire, or do you prefer more traditional melodies? • Via ─ @angelicachoirs • Song: “Time” Performed by: Angelica Cantanti Youth Choirs - Cantanti Singers (@angelicachoirs) 🇺🇸 Conductor: Philip Brown Composer: Jennifer Lucy Cook (@jenlucycook) • DM for credit or removal request (no copyright intended). ©️ All rights and credits reserved to the respective owner(s) #choir #chorus #singing #dailychoirs #acapella
#Chorus Reel by @darter_chorus - What she said!! 🤣😂
Students make sure you are practicing your music at home as well!!

#darterchorus #fyp #feed #reels #chorus
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@darter_chorus
What she said!! 🤣😂 Students make sure you are practicing your music at home as well!! #darterchorus #fyp #feed #reels #chorus
#Chorus Reel by @edisonchoirs - Erm… wait… where are we starting? #choir #choirkid #chorus #singing #sorry
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@edisonchoirs
Erm… wait… where are we starting? #choir #choirkid #chorus #singing #sorry
#Chorus Reel by @edisonchoirs - Don't go to Russia… join choir #choir #choirkid #chorus #singing #cottage
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@edisonchoirs
Don’t go to Russia… join choir #choir #choirkid #chorus #singing #cottage
#Chorus Reel by @dailychoirs (verified account) - Nothing hits like singing on the bus and the UAPB Vesper Choir, led by Jerron Liddell, is officially winning the internet today. 🏆 
While on their Sp
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@dailychoirs
Nothing hits like singing on the bus and the UAPB Vesper Choir, led by Jerron Liddell, is officially winning the internet today. 🏆 While on their Spring Break tour across Great Britain, they casualy dropped this high-energy remix, and it’s pure 10/10 fire. 🇺🇸🇬🇧✨ Let’s be real: choir bus trips are those elite core memories that are impossible to forget, exactly like this video! 🎶🙌 Tag that one friend who was obsessed with The Magic School Bus growing up. They ARE NOT READY for this. 🏷️😂 What was your most unforgettable choir bus trip? Tell us your stories in the comments! . Via — @thevesperchoir . Song: “The Magic School Bus” inspired theme song Performed by: UAPB Vesper Choir (@thevesperchoir) 🇺🇸 Conductor: Jerron Liddell . DM for credit or removal request (no copyright intended). ©️ All rights and credits reserved to the respective owner (s) #choir #chorus #singing #dailychoirs #acapella
#Chorus Reel by @rutgersltc - how'd we do on the A Chorus Line choreography? 

📅 Dates & Showtimes:
	Thursday, February 13: 8 PM
	Friday, February 14: 8 PM
	Saturday, February 15:
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@rutgersltc
how’d we do on the A Chorus Line choreography? 📅 Dates & Showtimes: Thursday, February 13: 8 PM Friday, February 14: 8 PM Saturday, February 15: 2 PM & 8 PM Sunday, February 16: 2 PM Get your tickets now at rultc.org or in our bio!👯‍♀️✨ #rutgersuniversity #theater #achorusline
#Chorus Reel by @reelsclassics - 🔥😳 Giuseppe Verdi - Messa da Requiem, Dies Irae
Gustavo Dudamel - Los Angeles Philharmonic & LA Master Chorale 🎻
•
In 1874, the female singers who
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@reelsclassics
🔥😳 Giuseppe Verdi — Messa da Requiem, Dies Irae Gustavo Dudamel — Los Angeles Philharmonic & LA Master Chorale 🎻 • In 1874, the female singers who premiered this mass had to step onto the altar wearing black veils. Women were forbidden from singing inside Catholic churches. No one applauded — that was forbidden too. Three days later, the same work moved to the stage of La Scala. The audience demanded four encores. The ovation was as violent as the Dies Irae itself. Verdi was 60, semi-retired since Aida, and had sworn he would never compose again. It took one death to break 16 years of silence. • The Requiem almost never existed as a work by Verdi. In 1869, he organized a collective project: thirteen Italian composers would each write one section of a mass in memory of Rossini. Verdi took the final movement, the Libera me. The project collapsed over clashing egos. The score sat in a drawer for four years — until Manzoni died. Verdi rescued the Libera me, rewrote it, and from that single movement composed the other six on his own in less than a year. One friend's funeral saved the music that the vanity of thirteen colleagues had buried. • This recording is outdoors. The Hollywood Bowl seats 17,000, with no roof and no side walls. When the timpani of the Dies Irae fire, the impact doesn't stay trapped in a room — it cuts across the entire valley. Dudamel was 32 here. He conducts without a score, without a baton, hands only — the same method he's used since he was 18, when he took over the Simón Bolívar Orchestra in Venezuela through El Sistema. The kid who learned violin in a social program in Barquisimeto conducts the most explosive funeral mass in the repertoire, on the most exposed stage in Los Angeles. • 👉 Follow for the best of classical music, daily in your feed. • • • #classicalmusic #choir #conductor #chorus
#Chorus Reel by @blakefarfan - Me: 🗣️ #gotye #harmony #choir #chorus #acappella
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@blakefarfan
Me: 🗣️ #gotye #harmony #choir #chorus #acappella
#Chorus Reel by @bestofopera (verified account) - 🎶 Baba Yetu - Nominjin & Christopher Tin | Live at Llangollen 2017

🎓 In 1999, Christopher Tin went to his Stanford reunion and bumped into his old
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@bestofopera
🎶 Baba Yetu — Nominjin & Christopher Tin | Live at Llangollen 2017 🎓 In 1999, Christopher Tin went to his Stanford reunion and bumped into his old roommate Soren Johnson. Johnson was designing a new video game. Some months later, he called Tin and asked for a theme. That game was Civilization IV. Tin took the Lord's Prayer, asked linguist Chris Kiagari to set it in Swahili, and wrote the entire piece in one week. He had never written music for a video game before. 🌍 The soloist you see is Nominjin, a Mongolian-American singer who launched her career at thirteen and had over twelve number-one hits in Mongolia before she turned sixteen. She grew up across Russia, Mongolia, India, and the Caribbean. By the time she stood at Llangollen in 2017, she sang in fifteen languages. She was twenty-seven years old on that stage. 🏴󠁧󠁢󠁷󠁬󠁴󠁿 This is the 70th Anniversary Gala of the Llangollen International Musical Eisteddfod in Wales, July 5, 2017. The choirs behind her came from four countries: Wales, South Africa, Taiwan, and the United States. The Welsh National Opera Orchestra accompanied. Llangollen previously hosted Pavarotti. The concert was broadcast live on S4C, Welsh national television. In 2019, this same piece was played at the signing of the Maputo Accord, ending the RENAMO insurgency in Mozambique. What was your first encounter with this song? Was it the game, a live concert, or somewhere else entirely? 🎮 🎤 Nominjin 🇲🇳🇺🇸 Nationality: Mongolian-American Voice type: Soprano / Crossov Date of Birth: 09/11/1989 🎼 Baba Yetu Composer: Christopher Tin 🇺🇸 Composition date: 2005 Libretto/Text: Lord's Prayer in Swahili, adapted by Chris Kiagari Original language: Swahili #BestOfOpera #chorus #ChristopherTin #choir
#Chorus Reel by @dailychoirs (verified account) - Gregorio Allegri composed the Miserere in the 1630s for the Sistine Chapel during Holy Week. Setting Psalm 51, the work alternates a five-voice choir
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@dailychoirs
Gregorio Allegri composed the Miserere in the 1630s for the Sistine Chapel during Holy Week. Setting Psalm 51, the work alternates a five-voice choir with a four-voice ensemble. The famous soprano top C heard in this performance is actually an interpolation embedded in the performing tradition rather than Allegri’s original text, but it has become inseparable from the work as we know it today. 🎶🏛️ FUN FACT: The score was so jealously guarded by the Vatican that its distribution was forbidden for over a century, until a 14-year-old Mozart transcribed it entirely from MEMORY after a single hearing in 1770. 🤯📜 This breathtaking performance features the Alma Consort (@almaconsort), led by co-directors Izzy Mohan (@izzy.mohan) and Luca Wetherall (@lu.ca.w). Their precision and emotional clarity are truly world-class, breathing new life into this immortal masterpiece with stunning grace. 🎙️🙌 This is the ultimate “bucket list” piece for every choral singer. Have you ever performed the Miserere? Tell us your experience in the comments! 🗣️👇 . Via — @almaconsort . Song: “Miserere mei, Deus” Performed by: Alma Consort (@almaconsort) 🇬🇧 Co-directors: Izzy Mohan (@izzy.mohan) and Luca Wetherall (@lu.ca.w) Composer: Gregorio Allegri . DM for credit or removal request (no copyright intended). ©️ All rights and credits reserved to the respective owner (s) #choir #chorus #singing #dailychoirs #acapella
#Chorus Reel by @dailychoirs (verified account) - There is a reason why "Ave verum corpus" remains the gold standard of choral beauty. Written in June 1791 for his friend Anton Stoll, Mozart was alrea
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@dailychoirs
There is a reason why “Ave verum corpus” remains the gold standard of choral beauty. Written in June 1791 for his friend Anton Stoll, Mozart was already facing his final year of life, and you can hear that bridge between earth and the divine in every measure. South Florida’s GRAMMY-Nominated Vocal Ensemble Seraphic Fire delivers an interpretation that feels incredibly transparent and light, exactly how Mozart intended it. Under the baton of Patrick Quigley, the ensemble navigates those famous chromatic shifts with a level of control that makes time seem to stop. It’s a reminder that true immortality isn’t about complexity; it’s about reaching the human soul with the simplest possible tools. 🍃 Does knowing that Mozart wrote this so close to the end of his life change the way you perceive those final resolutions? • Via ─ @seraphic_fire • Song: “Ave verum corpus K. 618” Performed by: Seraphic Fire (@seraphic_fire) 🇺🇸 Conductor: Patrick Quigley (@patrickduprequigley) Composer: Wolfgang Amadeus Mozart • DM for credit or removal request (no copyright intended). ©️ All rights and credits reserved to the respective owner(s) #choir #chorus #singing #dailychoirs #acapella

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