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Reel di Tendenza

(12)
#Newwave Reel by @postpunk_80 - "Everybody Wants to Rule the World" is a song by the English pop rock band Tears for Fears from their second studio album Songs from the Big Chair (19
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@postpunk_80
"Everybody Wants to Rule the World" is a song by the English pop rock band Tears for Fears from their second studio album Songs from the Big Chair (1985). It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes.
#Newwave Reel by @fernandocarlost.ferreira - Manchester, 1980. O punk se dissipava no ar, e no Russell Club, uma nova repetição nascia. O som que moldaria tudo, antes mesmo de ter um nome. Antes
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@fernandocarlost.ferreira
Manchester, 1980. O punk se dissipava no ar, e no Russell Club, uma nova repetição nascia. O som que moldaria tudo, antes mesmo de ter um nome. Antes do nome, veio o som. Antes da cena, veio a noite. Uma transição capturada ao vivo, com "Transmission" no ar e lendas no palco. A faísca. Manchester, Russell Club, 1980. Onde Ian Curtis, Morrissey, Tony Wilson e outros visionários escreviam, sem saber, o futuro da música. 🖤✨#JoyDivision #IanCurtis #Morrissey #TonyWilson #PostPunk #ManchesterSound #RussellClub #1980 #NewWave #CenaBritânica #Transmission #HistóriaDaMúsica #FactoryRecords #AnnikHonoré
#Newwave Reel by @soulel_music - "Money… that's what I want." The track was produced by David Cunningham, who approached the recording more like an art experiment than a traditional
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@soulel_music
“Money… that’s what I want.” The track was produced by David Cunningham, who approached the recording more like an art experiment than a traditional pop production. The rhythm feels rigid on purpose, the instruments sound deliberately detached, and the vocal by Deborah Evans-Stickland is delivered with an almost expressionless tone. The result makes the song feel less like a plea and more like a statement about money as a fact of modern life. That strange approach worked. The single reached No. 5 on the UK Singles Chart and No. 50 on the Billboard Hot 100, turning an avant-garde studio experiment into an international hit. The Flying Lizards themselves were never really a conventional band. The project was built around Cunningham’s experimental studio ideas and often included different musicians and artists rather than a fixed lineup. Their sound blended post-punk, early new wave, minimalism, and art-school experimentation, which perfectly matched the cultural shift happening in Britain at the end of the 1970s. Another unusual detail is how the recording was made. Many of the sounds were intentionally stiff and awkward because Cunningham wanted to remove the swing and soul from the original song. That uncomfortable feeling became the entire point of the record and helped define the aesthetic of early new wave. More than forty years later, the track still feels oddly modern. Its stark production, dry vocal delivery, and anti-glam attitude capture the moment when pop music started moving away from excess and toward irony, minimalism, and conceptual experimentation. Follow @soulel_music for more stories about the records, artists, and studio ideas that changed the direction of modern music. #TheFlyingLizards #Money #NewWave #PostPunk #MusicHistory
#Newwave Reel by @postpunk_80 - "Temple of Love" is a song by English rock band the Sisters of Mercy, released as a non-album single in October 1983 by Merciful Release.
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PO
@postpunk_80
"Temple of Love" is a song by English rock band the Sisters of Mercy, released as a non-album single in October 1983 by Merciful Release.
#Newwave Reel by @vocalmusicas - Siga @vocalmusicas para mais músicas com legendas iguais a essa. "Down Under" (1981) dos Men At Work, é sobre a identidade australiana, o orgulho pel
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@vocalmusicas
Siga @vocalmusicas para mais músicas com legendas iguais a essa. "Down Under" (1981) dos Men At Work, é sobre a identidade australiana, o orgulho pelas raízes e a celebração da cultura de um país muitas vezes visto como distante. A música narra as viagens de um australiano pelo mundo e os encontros que reforçam a sua ligação à terra natal, simbolizando a camaradagem e o espírito aventureiro de quem carrega a sua herança com humor e autenticidade. O videoclipe é um clássico da era dourada da MTV, apresentando a banda em situações cómicas e surreais que capturam o estilo descontraído e irreverente do grupo. A estética visual foca em ícones australianos (como a sanduíche de Vegemite), representando uma época em que a música pop explorava novas geografias com uma energia contagiante e original. A música é um hino sobre o sentimento de pertença e a exaltação de um estilo de vida, descrita como uma obra-prima do new wave e pop-rock, onde a flauta marcante e o ritmo reggae criam uma sonoridade única que se tornou instantaneamente reconhecível em todo o planeta. "Down Under" foi o single que impulsionou o álbum Business as Usual para o topo das tabelas mundiais, incluindo os Estados Unidos e o Reino Unido. A canção permanece como um dos maiores marcos da música dos anos 80, servindo como um hino não oficial da Austrália e uma prova da capacidade da banda de criar música pop inteligente, divertida e intemporal. #menatwork #downunder #businessasusual #80smusic #newwave
#Newwave Reel by @mixmagbrazil (verified account) - French art pop broadcasting full color 🎤 Art pop francês ao vivo e a cores 🎸 On 15 June 1985, Les Rita Mitsouko performed "Marcia Baila" live on An
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MI
@mixmagbrazil
French art pop broadcasting full color 🎤 Art pop francês ao vivo e a cores 🎸 On 15 June 1985, Les Rita Mitsouko performed “Marcia Baila” live on Antenne 2’s Champs Élysées, bringing their theatrical new wave energy to prime-time France. Catherine Ringer’s magnetic presence and Fred Chichin’s angular guitar turned the TV stage into a vivid snapshot of mid-80s French pop experimentation. Preserved in the INA archives, the moment still radiates boldness and style. Em 15 de junho de 1985, Les Rita Mitsouko apresentaram “Marcia Baila” ao vivo no Champs Élysées, da Antenne 2, levando sua energia new wave teatral para o horário nobre francês. A presença magnética de Catherine Ringer e a guitarra angular de Fred Chichin transformaram o palco em um retrato vibrante da experimentação pop dos anos 80 na França. Preservado nos arquivos da INA, o momento segue pulsando atitude e identidade. 🎧: Les Rita Mitsouko - Marcia Baila Live 🎬: INA Archive | Champs Élysées | Antenne 2 | 15/06/1985 #mixmag #mixmagbrasil #electronicmusic #dancemusic #newwave
#Newwave Reel by @madchester_djs - Manchester, 1980. Punk was fading into the night air, and inside the Russell Club, something new was beginning to pulse - a sound that would shape eve
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@madchester_djs
Manchester, 1980. Punk was fading into the night air, and inside the Russell Club, something new was beginning to pulse — a sound that would shape everything long before anyone had a name for it. Before the name came the sound. Before the scene came the night. A transition caught live, Transmission in the air, legends on stage, and a city unknowingly stepping into its future. 🎥 @fernandocarlost.ferreira The spark. Manchester, Russell Club, 1980 — where Ian Curtis, Morrissey, Tony Wilson, and other visionaries were writing the next chapter of music history without even realising it. 🖤✨ #JoyDivision #IanCurtis #Morrissey #TonyWilson #PostPunk #ManchesterSound #RussellClub #1980 #NewWave #Transmission #FactoryRecords #AnnikHonoré #MadchesterRoots
#Newwave Reel by @3voor12 (verified account) - New Wave vertelde ons op de première van de nieuwe docu-serie wie ze zelf zouden nomineren voor New Wave 2026, en gaven de jonge garde ook nog een stu
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3V
@3voor12
New Wave vertelde ons op de première van de nieuwe docu-serie wie ze zelf zouden nomineren voor New Wave 2026, en gaven de jonge garde ook nog een stukje advies mee. Wie zouden jullie graag nomineren? #newwave #dereünie #ziggodome #ronnieflex #3voor12
#Newwave Reel by @lil_hott - #spclilhott #tennesseeraps #marilynmanson #undergroundhiphop #newwave
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@lil_hott
#spclilhott #tennesseeraps #marilynmanson #undergroundhiphop #newwave
#Newwave Reel by @boogiemorph - 🎸💔 The Punk and New Wave Icons Who Changed Everything… Joey Ramone. Dee Dee Ramone. Johnny Thunders. Ian Curtis. Joe Strummer. Poly Styrene. Malcol
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@boogiemorph
🎸💔 The Punk and New Wave Icons Who Changed Everything… Joey Ramone. Dee Dee Ramone. Johnny Thunders. Ian Curtis. Joe Strummer. Poly Styrene. Malcolm McLaren. Seven legends. Seven gravestones. One cinematic AI tribute to the voices and visionaries who looked at the music world, decided it wasn't good enough, and blew the whole thing up. Which punk icon lit the fire in you? 👇 #PunkLegends #NewWave #GoneTooSoon #JoeyRamone #DeeDeeRamone #JohnnyThunders #IanCurtis #JoeStrummer #PolyStyrene #MalcolmMcLaren #PunkRock #JoyDivision #TheClash #TheRamones #AIArt #CinematicAI #PunkHistory #NeverForgotten #RIPLegends #PunkTribute
#Newwave Reel by @rtlboulevard (verified account) - Elf jaar geleden schreef New Wave muziekgeschiedenis. Het resultaat? Een van de meest succesvolle én iconische hiphop-albums ooit. Dat wordt nu groots
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RT
@rtlboulevard
Elf jaar geleden schreef New Wave muziekgeschiedenis. Het resultaat? Een van de meest succesvolle én iconische hiphop-albums ooit. Dat wordt nu groots gevierd met vijf uitverkochte shows in de Ziggo Dome en een eigen documentaire! 🎤 #newwave #hiphop #rtlboulevard

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