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Reel di Tendenza

(12)
#Schubert Reel by @medici.tv (verified account) - 🎻🎶 For Kubrick lovers, this Schubert may bring back some key scenes from Barry Lyndon… Enjoy this marvelous performance of the Piano Trio in E-flat
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@medici.tv
🎻🎶 For Kubrick lovers, this Schubert may bring back some key scenes from Barry Lyndon… Enjoy this marvelous performance of the Piano Trio in E-flat by the @triomessiaen, available in full on medici.tv! 🎻🎶 #classicalmusic #instaclassical #schubert #barrylyndon
#Schubert Reel by @ryanwangpianist (verified account) - So simple, yet so beautiful… Video is from my first performance of op 90 back in Nov, it's on my youtube now have a listen! 🎧 #pianist #piano #musi
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@ryanwangpianist
So simple, yet so beautiful… Video is from my first performance of op 90 back in Nov, it’s on my youtube now have a listen! 🎧 #pianist #piano #music #schubert #fyp
#Schubert Reel by @lisafrolova (verified account) - Schubert Ständchen You can listen to Ständchen in endless versions, and its simplicity still feels so brilliant and genuine ✨ Do you agree? And whic
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@lisafrolova
Schubert Ständchen You can listen to Ständchen in endless versions, and its simplicity still feels so brilliant and genuine ✨ Do you agree? And which other piece never loses its magic for you, no matter how many times you hear it? 🎶 #schubert #piano #pianist #art #music
#Schubert Reel by @medici.tv (verified account) - Join pianist and content creator @sav.plays.piano as she talks us through some of her favorite pieces of the piano repertoire… #pianoday #classicalm
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@medici.tv
Join pianist and content creator @sav.plays.piano as she talks us through some of her favorite pieces of the piano repertoire… #pianoday #classicalmusiclovers #schubert
#Schubert Reel by @sirandrasschiff - Sir András Schiff is joined by legends Miklós Perényi and Yuuko Shiokawa at the opening of the Andante con moto from Franz Schubert's Piano Trio in E-
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@sirandrasschiff
Sir András Schiff is joined by legends Miklós Perényi and Yuuko Shiokawa at the opening of the Andante con moto from Franz Schubert’s Piano Trio in E-flat major, Op. 100. Sir András said that he imagines this movement as being drawn straight from Winterreise: the steady tread of footsteps, measured yet inexorable, carrying a lone voice through memory and loss. Few pieces of chamber music transform motion into metaphor with such inevitability. Indeed, it is easy to imagine a singer entering instead of the two string instruments. It is only then that we realise that we find ourselves in the realm of ‘Gefrorne Tränen’ or ‘Gute Nacht’. ✍🏻 Curated by: @enriquemontlaga #SirAndrásSchiff #Schubert
#Schubert Reel by @composerism - Did you know: Franz Schubert wrote over 600 songs but never owned a piano. He lived in poverty most of his life and depended on the pianos of friends
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@composerism
Did you know: Franz Schubert wrote over 600 songs but never owned a piano. He lived in poverty most of his life and depended on the pianos of friends or patrons. Much of his music was performed at Schubertiades — private gatherings hosted by friends where he could compose and play. Despite his huge output, he died at just 31, still without his own instrument. --- #classicalmusic #composer #piano #classical #musician #music #pianist #art #artist #violin #orchestra #composers #musicians #facts #fact #musiclover #pianocover #jazz #mood #sheetmusic
#Schubert Reel by @pianoworlddaily - 🎹 Yuja Wang (@yujawang.official) 🎶 SCHUBERT/LISZT Erlkönig, S. 558 📍 N/A 💬 This is just a short segment, the full recording can be found on YouTu
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@pianoworlddaily
🎹 Yuja Wang (@yujawang.official) 🎶 SCHUBERT/LISZT Erlkönig, S. 558 📍 N/A 💬 This is just a short segment, the full recording can be found on YouTube! 📚 Erlkönig (Liszt transcription S.558) was originally composed by Schubert in 1815 (age 18) as a Lied (song) setting a dark poem by Johann Wolfgang von Goethe about a father riding through the night while his child is pursued by a death spirit. Liszt later transcribed it (first version ~1837, later revised) to bring the dramatic vocal narrative fully onto the piano. The work represents terror (for the pianist playing haha), urgency, and fatal inevitability, with the piano imitating galloping horse rhythms and switching characters musically. Technically, Liszt’s version is extremely demanding with its repeated octaves, wide leaps, layered voicing (melody + accompaniment + inner lines), and orchestral level dynamic control while maintaining a narrative. In conclusion, it’s one of the most dramatic and theatrically intense song transcriptions ever written, turning Schubert’s narrative into a full explosion of virtuosity. 🔔please consider following @pianoworld.daily for more piano content like this! 🙂👍🙏🙏 . . . . #piano #classicalmusic #pianoworlddaily #liszt #schubert
#Schubert Reel by @focus88keys - Vladimir Horowitz plays Schubert's lovely Impromtu Op. 90 No. 3. . . . . . . #classicalpiano #schubert #horowitz #franzschubert #pianist
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@focus88keys
Vladimir Horowitz plays Schubert's lovely Impromtu Op. 90 No. 3. . . . . . . #classicalpiano #schubert #horowitz #franzschubert #pianist
#Schubert Reel by @orjinalsesler (verified account) - Videonun başında duyduğumuz o kadife tını, klasik müzik dünyasının "hüzün ustası" olarak bilinen Franz Schubert'in meşhur Ständchen (Serenat) eseri.
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@orjinalsesler
Videonun başında duyduğumuz o kadife tını, klasik müzik dünyasının "hüzün ustası" olarak bilinen Franz Schubert’in meşhur Ständchen (Serenat) eseri. Çelloda Hadewych van Gent, piyanoda ise Mattias Spee var. Bu ikili, eserin o meşhur "gece vakti sevgiliye fısıldama" halini, hiçbir abartıya kaçmadan, sanki odanın içinde yanımızda çalıyorlarmış gibi aktarıyorlar. Çello burada sadece bir enstrüman değil, adeta şarkı söyleyen, nefes alan bir insan sesi gibi konumlanmış. 🎻 Franz Schubert’in hikayesi ise müzik tarihinin en "kısa ama dev" öykülerinden biri. 31 yıllık ömrüne 600’den fazla şarkı sığdıran bu adam, aslında yaşadığı dönemde bugünkü devasa şöhretine sahip değildi. Viyana’nın dumanlı kafelerinde, dost meclislerinde kendi müziğini çalan, devrik yakalı, kısa boylu ve biraz da talihsiz bir dahiydi. Schubert’in en ilginç tarafı, bu denli romantik ve derin eserler yazmasına rağmen, hayatı boyunca gerçek anlamda bir piyano sahibi bile olmamasıydı. Çoğu eserini bir kafede masanın üzerinde ya da arkadaşının evindeki ödünç piyanoda karalamıştır. Bu "Serenat" da aslında onun ölümünden hemen önce yazdığı, veda niteliğindeki eserlerinden biridir. 🎼 Okuyucunun aklında kalması gereken asıl detay, Schubert’in müziğindeki o garip tezatlıktır. Bu parçayı dinlerken aynı anda hem çok huzurlu hem de çok huzursuz hissedebilirsiniz. İşte buna müzik literatüründe "Schubertvari gülümseme" denir; yani bir gözü ağlarken diğer gözüyle hayata gülümseyen o buruk ifade. Videodaki performansın gücü de buradan geliyor; Hadewych van Gent çellonun yayını her çektiğinde, Schubert’in o hiç sahip olamadığı huzuru ve hep içinde taşıdığı o büyük yalnızlığı modern bir dille yeniden inşa ediyor. Yapaylıktan uzak, tertemiz ve sahici bir icra. ✨ # # # #Schubert #KlasikMüzik #Cello #MüzikTarihi #FranzSchubert
#Schubert Reel by @timelessmelodiesreel - Experience the haunting maturity of Vladimir Horowitz at 84 years old. 🎹✨ Recorded during his legendary 1987 return to Vienna, this performance of Sc
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@timelessmelodiesreel
Experience the haunting maturity of Vladimir Horowitz at 84 years old. 🎹✨ Recorded during his legendary 1987 return to Vienna, this performance of Schubert’s Impromptu Op. 90 No. 3 is a masterclass in “dolce” playing. Coming just a year after his historic return to Russia, this concert captures Horowitz in a unique stage of life—where youthful speed is replaced by a profound, singing tone. Listen closely to the bass notes; his piano was specially tuned to achieve this exact, rich depth. It isn’t just music; it’s a lifetime of wisdom distilled into six minutes. 🕯️🕊️ Does this performance move you? Share your thoughts below! 👇 #vladimirhorowitz #schubert #pianomaster #classicalmusic #timelessmelodies
#Schubert Reel by @pianosymposium_official - How do you end a piano symposium in style? With Schubert's Military March in the Piano Extravaganza: 30 pianists, 10 pianos, and Jacobus de Jager con
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@pianosymposium_official
How do you end a piano symposium in style? With Schubert’s Military March in the Piano Extravaganza: 30 pianists, 10 pianos, and Jacobus de Jager conducting from the middle of it all in a thrilling final-night spectacle. #StellenboschPianoSymposium #PianoExtravaganza #WorldPianoDay #Schubert #ClassicalMusic

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