17.9K
CRY el Oscar no va para…. #timotheechalamet #opera #ballet
@crisnakad
#Teatroreal
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GRBut there’s someplace she’d rather be 🎭
#theater #teatro #acting #actress #actor
@gri_petronillo
1.7K
JUFirst night at the opera was a blast!
@june.a.hodge
3.1K
NE😄💪🏼 #Aida @operabudapest ❤️
@newstepfitness
4.5M
HUPure Chaos and a hard-to-swallow letter from Tatiana 😂
We are almost there. ALMOST!
#rehearsal #baritone #fail #theater #opera #behindthescenes #funny #onegin
@hubertzapiorbaritone
4.9K
DRTemporada de ópera 2026 del Teatro Colón
🇦🇷 Este año viene acompañado de títulos 7 muy interesantes: drama, amor, engaños, venganza…
¡Asi que te cuento la trama de cada uno de ellos de la forma más resumida posible! Ahora que ya conocen bien de qué se tratan ¿Cuál es la ópera que más les gustaría ver? 👀
Aparte estoy muy feliz de anunciarles que a partir de hoy comienzo una colaboración con @operalifeit para compartir contenido juntos y seguir difundiendo la ópera en todo el mundo. Stay tunned!! ♥️🎭
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🇬🇧 Teatro Colón: 2026 opera season
This year features 7 very interesting opera titles: drama, love, deception, revenge…
So in this video I try to give you the briefest possible summary of each one! Now that you know what they are all about, which opera would you most like to see? 👀
I’m also very happy to announce that starting today I’m beginning a collaboration with @operalifeit to share content together and continue bringing opera to new audiences around the world. Stay tunned!! ♥️🎭
@dramawithcata
285.1K
ROCrash, bang, curtain up!
For the first episode of Audience Etiquette, our Tour Guide Freyja dives into the noisy world of 19th-century opera, where overtures weren’t just musical openers - they were the cue to sit down, settle in and stop the revelry in the auditorium.
Join us as we explore how audiences of the past shaped the performances they came to see… and which echoes of their habits still linger today.
#AudienceEtiquette #TheRoyalOpera #OperaHistory #Opera #RoyalBalletAndOpera
@royalballetandopera
20.4K
RIA look back in 2025 when I saw my first opera at @metopera and fell in love with “The Magic Flute” by Mozart.
And ever since then, I have seen three opera shows!
I love music in any language. It could probably be because I’m an immigrant.
@riki_lorenzo
32.9K
HUPS. I was OK! 😅
#opera #theatre #theater #fail #behindthescenes #dongiovanni
@hubertzapiorbaritone
23.1K
METhe Met is the place to be to experience the future of opera.🎶
Through the remainder of the 2025–26 season, we’re excited to bring three new operas to the stage.
🆕In February, back by popular demand, @masonbatesmusic’s The Amazing Adventures of Kavalier & Clay returns for a limited run of four performances.
🆕April features the Met premiere of Kaija Saariaho’s Innocence, which was greeted upon its 2021 premiere by awestruck reviews and hailed as “a modern masterpiece” (The Telegraph).
🆕In May, @gabrielalenafrank makes her Met debut with her first opera, El Último Sueño de Frida y Diego, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz.
🎟️Buy your tickets at the box office, on the Met Opera app, or at the link in our bio.
@metopera
9.4K
PRHappy weekend and happy penultimate La Traviata on my @royalballetandopera journey this season. With Godspeed my dearest everyone on and off stage ✨
“A Letter Written in Shattered Music” — Act II, Scene II
There is a moment in La Traviata when words stop being sung and begin to wound.
A party at Flora’s.
Laughter stitched to silk.
Chips clinking. Cards turning.
And beneath it all—truth, trembling, waiting to be betrayed.
Then Alfredo steps forward, not with love, but with judgment sharpened by ignorance.
He raises his voice so the room must hear him, and he sings what he believes to be justice:
“Ogni suo aver tal femmina
Per amor mio sperdea…”
(All her wealth such a woman squandered for love of me…)
The sentence lands like a slap.
Not because it is loud—
but because it is public.
And then comes the gesture.
Money thrown at her feet.
Coins meant to explain a woman’s worth.
The orchestra gasps.
The room freezes.
And Violetta—who could destroy him with a single truth—chooses restraint instead.
She steps forward, voice steady, dignity intact, and sings not to defend herself, but to protect him:
“Alfredo, di questo core
Non puoi comprendere tutto l’amor…”
(Alfredo, you cannot understand all the love of this heart…)
She does not cry out her sacrifice.
She does not name the deal that saved his family.
She does not expose the bargain that broke her.
She simply asks him—quietly—not to go further.
And the room cannot bear it.
Voices rise around them, not in harmony, but in conscience awakening too late.
The chorus sings what humanity always sings when cruelty is exposed:
“Di sprezzo degno sè stesso rende
Chi pur nell’ira la donna offende!”
(He makes himself worthy of contempt
who, even in anger, offends a woman!)
Judgment shifts.
Not onto Violetta—
but onto the man who believed humiliation could pass for honor.
Flora recoils.
Friends protest.
Society, for once, sees clearly.
And Alfredo—still blind—sings on, doubling down on his error, until silence finally overtakes him.
…continued in the comments below ⬇️
#latraviata #verdi #prettyjourney #operalove #classicalmusicians
@pretty_yende_official
108.7K
ROHow long is an evening at the theatre? ⏰
From 18th century queues with hawkers and hired stools to standing ovations that refused to end, audiences at the Royal Opera House have always made themselves part of the story.
Whether it’s 34 minutes of applause for Margot Fonteyn and Rudolf Nureyev, or fans camping out for Maria Callas, one thing has never changed: when the moment is right, audiences don’t hold back.
#AudienceEtiquette #RoyalOperaHouse #CoventGarden #RoyalBalletAndOpera
@royalballetandopera
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