258.1K
THA difícil tarefa de escolher a melhor atuação 🥶
Siga @thefilmzonebr
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#AmonGoeth #HansLanda #cinema #moviesbuff
@thefilmzonebr
#Amon Goeth
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30Reel di Tendenza
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670
PRA monster in uniform. History's darkest shadow. ⚫ #AmonGoeth
#instagram #love #viral fyp reels
@prince.edits03
1.8M
MACONTEXT❗️❗️👇
Hans Landa in Inglourious Basterds and Amon Goeth in Schindler's List remain two of cinema's most iconic villains, each embodying chilling authority and cruelty in strikingly different ways that make them unforgettable. Christoph Waltz's Hans Landa, the suave, multilingual hunter, captivates with his polished charisma, intellectual sharpness, and courteous demeanor that conceals cold calculation—he toys with people through elaborate verbal games, switching languages and tones effortlessly, turning menace into a sophisticated, almost theatrical display that viewers find both mesmerizing and horrifying. In contrast, Ralph Fiennes's Amon Goeth delivers raw, impulsive brutality rooted in grim reality, casually committing violence for amusement, erupting in unpredictable rage, and indulging in unfiltered cruelty without any pretense of refinement, making him a visceral emblem of dehumanization that inspires deep revulsion and fear. Their legendary status arises from these opposites: Landa's elegant, almost entertaining malevolence showcases cunning evil within Tarantino's stylized revisionist world, while Goeth's unrestrained savagery confronts the stark horror of history in Spielberg's unflinching realism—together they span the range of cinematic antagonist archetypes, each leaving a haunting imprint far beyond their films and securing their place among the most memorable villains in movie history.
#ingloriousbasterds #schindlerslist #hanslanda #cinema #film
@manofcinema
11.7K
FIGüç demek, insanın elinde her türlü haklı gerekçe olduğu halde öldürmemesi demektir.
Schindler's List (1993)
Daha fazlası için; @filmdizisinema
#filmdizisinema #schindlerslist #liamneeson #oskarschindler #ralphfiennes #amongoeth
@filmdizisinema
65.1K
SUI’ve always thought the name Elon Musk sounds like the name of a movie villain. It has a similar vibe to names like Hannibal Lecter, Lex Luthor (Superman), Hans Landa (Inglourious Basterds), Keyser Söze, Amon Goeth (Schindler’s List), Sauron (The Lord of the Rings), Anton Chigurh (No Country for Old Men), Kylo Ren, Thanos, or John Doe.
I’ve also read many books about dystopian futures where billionaires take control of media, technology, and ultimately the world. And now, it feels like we’re living in that reality. Soon, all social media platforms might become tools for spreading fascist propaganda.
#nopasaran #bellaciao #fcknzs #fckafd #fckfascism #fcktrmp 🏴🏴☠️🏳️🌈
@suburbass
1.3M
IMDid you know that for SCHINDLER'S LIST... Holocaust survivor Mila Pfefferberg was introduced to Ralph Fiennes on the set -- then started shaking uncontrollably. Because he reminded her too much of the real Amon Goeth.
@imallentsai
4.9K
WAThe Devil. O Diabo. Dois grandes atores. Ralph Fiennes como Amon Goeth. Christoph Waltz como Hans Landa.
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#movie #history #streaming #viral
@warflix.app
547.2K
REAtonement is a 2007 romantic war tragedy film directed by Joe Wright and starring James McAvoy, Keira Knightley, Saoirse Ronan, Romola Garai, and Vanessa Redgrave. It is based on the 2001 novel by lan McEwan. The film chronicles a crime and its consequences over six decades, beginning in the 1930s. It was produced for StudioCanal and filmed in England. Distributed in most of the world by Universal Studios, it was released theatrically in the United Kingdom on 7 September 2007 and in North America exactly three months later on 7 December 2007.
Atonement opened both the 2007 Vancouver International Film Festival and the 64th Venice International Film Festival. Wright, at age 35, was the youngest director ever to open the Venice event. The film was a commercial success and earned a worldwide gross of approximately $129 million against a budget of $30 million. Critics praised its acting, emotional depth, Wright's direction, Dario Marianelli's score, the cinematography, editing, visuals, and the film's incorporation of historic events.
Among numerous accolades, Atonement won Best Original Score at the 80th Academy Awards and was nominated in six other categories including Best Picture, Best Supporting Actress (for Ronan), Best Adapted Screenplay. [7] It also garnered fourteen nominations at the 61st British Academy Film Awards, winning both Best Film and Production Design; and won the Golden Globe Award for Best Motion Picture -Drama.
@retablevibess
119
3.0M
THThe French name for Atonement is ‘Reviens moi, which literally translates as ‘come back to me’ ❤️🩹
16 years ago, ‘ATONEMENT’ was released in theaters. Rate this film out of 10? 🥀
@the_goodfilms
3.0K
MRThe Chapter Is End But Story was.....
Atonement (2007).
The Atonement is a story about a single moment that fractures an entire lifetime - and the unbearable weight of living with its consequences.
Set against the elegance of pre-war England and the chaos that follows, the film begins with a misunderstanding born from imagination, innocence, and certainty. A young girl’s accusation, made without fully understanding its gravity, reshapes the lives of everyone involved. From that point on, Atonement is less about what happened and more about what can never be undone.
At its core, the story is driven by regret. Robbieand Cecilia’s love is passionate yet restrained, shaped by longing, class division, and timing that is always cruelly wrong. Their separation isn’t just physical - it’s existential. War, distance, and silence stretch between them, turning love into memory and hope into endurance.
The film’s brilliance lies in how it treats guilt. Briony doesn’t escape her mistake. She carries it, reshapes her identity around it, and spends her life trying to make amends through storytelling. But Atonement asks a painful question: can creation ever repair destruction? Can words undo a lie that altered real lives?
Visually, Atonement moves like a memory itself - fluid, romantic, and devastating. The famous Dunkirk sequence, unfolding in a single unbroken shot, captures not heroism but exhaustion, confusion, and the slow erosion of belief. War isn’t glorified; it’s endured.
By the end, Atonement reveals its final cruelty: forgiveness doesn’t always arrive in reality. Sometimes, the only mercy available is the one we write for ourselves. The story becomes both a confession and a lie - an imagined ending offered as an apology too late to be accepted. Atonement lingers because it understands something deeply human: some mistakes don’t ask to be forgiven. They ask to be remembered.#atonement#atonementedit#viral#love
@mr_sallusamar
178.8K
ODIo senza fede non sarei andato da nessuna parte ❤️#gomorra #donsalvatoreconte #odiet_tamo_
@odiet_tamo_
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