493.5K
DAriding with the windows down type vibe 🌊
tiktok: vibewithchris
#thehumanleague #newwave #80smusic
@darkerwavesfest
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#Newwave
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580.0K
POPost -punk is a broad subgenre of rock that emerged in the late 1970s when musicians moved away from the raw, traditional simplicity of punk , instead incorporating a variety of avant-garde influences . Inspired by punk energy and the DIY ethos , but determined to break with rock clichés , post - punk artists experimented with styles such as jazz , electronica , and funk , as well as the production techniques of dub and disco . The movement also frequently intersected with art and politics, including critical theory , modern art , film , and literature . Independent record labels, visual arts labels, multimedia performance labels, and fanzines emerged.
@postpunk_80
835.2K
FEManchester, 1980. O punk se dissipava no ar, e no Russell Club, uma nova repetição nascia. O som que moldaria tudo, antes mesmo de ter um nome.
Antes do nome, veio o som. Antes da cena, veio a noite. Uma transição capturada ao vivo, com "Transmission" no ar e lendas no palco.
A faísca. Manchester, Russell Club, 1980. Onde Ian Curtis, Morrissey, Tony Wilson e outros visionários escreviam, sem saber, o futuro da música. 🖤✨#JoyDivision #IanCurtis #Morrissey #TonyWilson #PostPunk #ManchesterSound #RussellClub #1980 #NewWave #CenaBritânica #Transmission #HistóriaDaMúsica #FactoryRecords #AnnikHonoré
@fernandocarlost.ferreira
955.5K
DI1982 : MISSING PERSONS - Destination Unknown
Missing Persons were formed in Los Angeles by
former Frank Zappa associates Terry Bozzio (drummer), Dale Bozzio (vocalist) and Warren Cuccurullo (guitarist).
The band seemed tailor-made for MTV with their heavy emphasis on image, and the group enjoyed a sizeable hit right off the bat with their gold-certified debut album Spring Session M and hit videos/singles "Words" and "Destination Unknown".
Dale Bozzio designed all her stage costumes with friend Doug Powell on the floor of her living room because the band had no money, they had to turn concert tickets into things they needed like drum supplies, studio time, or lunch. She dressed in provocative performance outfits assembled with parts from local hardware and aquatic stores, literally creating futuristic looks from plumbing supplies and fish tank parts.
Dale began modeling during the '70s, including appearing in Hustler Magazine, before being introduced to Frank Zappa, who invited her to sing on his epic concept album Joe's Garage. She first met Zappa when she climbed a 3-story fire escape through a bathroom window at a music venue he was playing in Massachusetts.
Terry Bozzio went on to become one of rock's greatest drummers. In 1978 he had formed Group 87 with Pat O'Hearn. In 1979 he had joined U.K. replacing Bill Bruford.
#80s #newwave #ladygaga #madonna #cyndilauper
@disquettepop
695.7K
VOSiga @vocalmusicas para mais músicas com legendas iguais a essa.
"Down Under" (1981) dos Men At Work, é sobre a identidade australiana, o orgulho pelas raízes e a celebração da cultura de um país muitas vezes visto como distante.
A música narra as viagens de um australiano pelo mundo e os encontros que reforçam a sua ligação à terra natal, simbolizando a camaradagem e o espírito aventureiro de quem carrega a sua herança com humor e autenticidade.
O videoclipe é um clássico da era dourada da MTV, apresentando a banda em situações cómicas e surreais que capturam o estilo descontraído e irreverente do grupo. A estética visual foca em ícones australianos (como a sanduíche de Vegemite), representando uma época em que a música pop explorava novas geografias com uma energia contagiante e original.
A música é um hino sobre o sentimento de pertença e a exaltação de um estilo de vida, descrita como uma obra-prima do new wave e pop-rock, onde a flauta marcante e o ritmo reggae criam uma sonoridade única que se tornou instantaneamente reconhecível em todo o planeta.
"Down Under" foi o single que impulsionou o álbum Business as Usual para o topo das tabelas mundiais, incluindo os Estados Unidos e o Reino Unido. A canção permanece como um dos maiores marcos da música dos anos 80, servindo como um hino não oficial da Austrália e uma prova da capacidade da banda de criar música pop inteligente, divertida e intemporal.
#menatwork #downunder
#businessasusual #80smusic #newwave
@vocalmusicas
1.3M
PO"Temple of Love" is a song by English rock band the Sisters of Mercy, released as a non-album single in October 1983 by Merciful Release.
@postpunk_80
6.7M
CRAn interesting fact is that the song was a last-minute addition to the Songs from the Big Chair album. Roland Orzabal originally thought the track was “too simple” and almost scrapped it. It was also originally titled “Everybody Wants to Go to War,” reflecting the Cold War tensions of 1985.
By pivoting to “Rule The World,” Tears For Fears created a universal proverb about ambition, corruption, and the “freedom and the pleasure” we all chase.
The realization that history is a cycle, but the music is the thread that holds it together.
Keywords: Tears For Fears, Everybody Wants To Rule The World, Roland Orzabal, Curt Smith, 80s Anthems, New Wave, Music History, Timeless Classics.
#TearsForFears #EverybodyWantsToRuleTheWorld #80sMusic #TimelessClassics #NewWave
@creators.almanac
331.4K
SO“Money… that’s what I want.”
The track was produced by David Cunningham, who approached the recording more like an art experiment than a traditional pop production. The rhythm feels rigid on purpose, the instruments sound deliberately detached, and the vocal by Deborah Evans-Stickland is delivered with an almost expressionless tone. The result makes the song feel less like a plea and more like a statement about money as a fact of modern life.
That strange approach worked. The single reached No. 5 on the UK Singles Chart and No. 50 on the Billboard Hot 100, turning an avant-garde studio experiment into an international hit.
The Flying Lizards themselves were never really a conventional band. The project was built around Cunningham’s experimental studio ideas and often included different musicians and artists rather than a fixed lineup. Their sound blended post-punk, early new wave, minimalism, and art-school experimentation, which perfectly matched the cultural shift happening in Britain at the end of the 1970s.
Another unusual detail is how the recording was made. Many of the sounds were intentionally stiff and awkward because Cunningham wanted to remove the swing and soul from the original song. That uncomfortable feeling became the entire point of the record and helped define the aesthetic of early new wave.
More than forty years later, the track still feels oddly modern. Its stark production, dry vocal delivery, and anti-glam attitude capture the moment when pop music started moving away from excess and toward irony, minimalism, and conceptual experimentation.
Follow @soulel_music for more stories about the records, artists, and studio ideas that changed the direction of modern music.
#TheFlyingLizards #Money #NewWave #PostPunk #MusicHistory
@soulel_music
408.7K
MAManchester, 1980. Punk was fading into the night air, and inside the Russell Club, something new was beginning to pulse — a sound that would shape everything long before anyone had a name for it.
Before the name came the sound.
Before the scene came the night.
A transition caught live, Transmission in the air, legends on stage, and a city unknowingly stepping into its future.
🎥 @fernandocarlost.ferreira
The spark.
Manchester, Russell Club, 1980 — where Ian Curtis, Morrissey, Tony Wilson, and other visionaries were writing the next chapter of music history without even realising it. 🖤✨
#JoyDivision #IanCurtis #Morrissey #TonyWilson #PostPunk #ManchesterSound #RussellClub #1980 #NewWave #Transmission #FactoryRecords #AnnikHonoré #MadchesterRoots
@madchester_djs
149.7K
ACBilly Idol – Eyes Without a Face
“Eyes Without a Face” is one of the most distinctive rock ballads of the 1980s and a defining moment in Billy Idol’s career. Released in 1984 on the album Rebel Yell, the song revealed a darker, more introspective side of an artist often associated with punk energy and rebellious attitude.
The track explores themes of betrayal, emotional distance, and lost innocence. Its lyrics reflect regret and vulnerability, contrasting sharply with Idol’s usual aggressive persona. The title, inspired by the French film Les Yeux sans visage, reinforces the sense of identity and emptiness that runs through the song.
Musically, “Eyes Without a Face” blends new wave, rock, and synth-driven production, creating an atmospheric and moody sound. The slow build, layered vocals, and dramatic shift in the final section give the song depth and tension. This balance between softness and intensity helped establish it as a standout 80s rock classic.
Decades later, “Eyes Without a Face” remains a timeless song in rock and new wave history. Its emotional depth, iconic melody, and distinctive production continue to resonate with audiences worldwide.
Follow @AcrossTheMusicAges for more music history, iconic songs, and timeless classics.
#BillyIdol #EyesWithoutAFace #80sMusic #NewWave #MusicHistory
@acrossthemusicages
885.5K
MIFrench art pop broadcasting full color 🎤 Art pop francês ao vivo e a cores 🎸
On 15 June 1985, Les Rita Mitsouko performed “Marcia Baila” live on Antenne 2’s Champs Élysées, bringing their theatrical new wave energy to prime-time France. Catherine Ringer’s magnetic presence and Fred Chichin’s angular guitar turned the TV stage into a vivid snapshot of mid-80s French pop experimentation. Preserved in the INA archives, the moment still radiates boldness and style.
Em 15 de junho de 1985, Les Rita Mitsouko apresentaram “Marcia Baila” ao vivo no Champs Élysées, da Antenne 2, levando sua energia new wave teatral para o horário nobre francês. A presença magnética de Catherine Ringer e a guitarra angular de Fred Chichin transformaram o palco em um retrato vibrante da experimentação pop dos anos 80 na França. Preservado nos arquivos da INA, o momento segue pulsando atitude e identidade.
🎧: Les Rita Mitsouko - Marcia Baila Live
🎬: INA Archive | Champs Élysées | Antenne 2 | 15/06/1985
#mixmag #mixmagbrasil #electronicmusic #dancemusic #newwave
@mixmagbrazil
770.5K
VINew Wave. 7 februari. Snel meer.
#newwave
@videolandonline
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