2.0M
ROEa la forma más sencilla de hacer rosas con cinta 🥰🌹/ el truco que tienes que conocer para hacer rosas
#flores #Rossini #rosas
@rossini_detalles
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ROAprende hacer más rosas 🌹
#Rossini #flores
@rossini_detalles
144.8K
BE🎭 Dmitri Hvorostovsky — Largo al factotum
✨ With his unmistakable silver hair and commanding stage presence, Dmitri Hvorostovsky brings charisma and precision to Figaro’s famous entrance aria. In Rossini’s opera, the barber of Seville introduces himself as the city’s indispensable problem-solver.
“Largo al factotum” is known for its rapid patter passages and energetic rhythm, demanding agility, clarity of diction, and strong breath control from the baritone. In this performance, Hvorostovsky moves confidently through the quick phrases while maintaining his rich, dark-colored tone.
At the famous “Figaro! Figaro! Figaro!” moment, the aria reaches its lively peak, capturing the character’s pride and larger-than-life personality. It’s one of the most recognizable baritone arias in opera and a highlight of Il barbiere di Siviglia.
🎤 Dmitri Hvorostovsky 🇷🇺
Baritone
Born: October 16, 1962
🎼 Il barbiere di Siviglia
Gioachino Rossini
Premiered: 1816
#Hvorostovsky #OperaClassical #BaritoneVoice #Rossini
@bestofopera
103.4K
_YDe qué día 1 estudiando todo menos lo de mi exámen, no es cierto 👀
#oboe #rossini
Pd no es la versión final de ese extracto:p
Luego lo borro
@_yihc_
1.5M
CLWork smarter, not harder. #rossini #classicalmusic
@classicfm
84.7K
TROn this day in 1817, Cinderella found her voice, but she didn't find this speed until Bartoli arrived👑
Happy Anniversary to Rossini’s La Cenerentola🎂
Cecilia Bartoli celebrates by turning the coloratura into a full-blown athletic event. Listen to that articulation! It's is distinct, percussive, and absolutely terrifying for any other mezzo trying to learn this role😰
Rossini wrote a fairytale, but Cecilia turned it into a vocal fireworks display🎆
❓Is La Cenerentola your favorite Rossini opera?
_________
Mezzo-soprano Cecilia Bartoli sings the aria Non più mesta from the opera La Cenerentola (Cinderella) by composer Gioachino Rossini 🇮🇹
#ceciliabartoli #rossini #lacenerentola #mezzosoprano #coloratura #opera #belcanto #muzykaklasyczna
@traviati_
93.0K
CLGioacchino Rossini tinha 24 anos quando estreou a ópera La Cenerentola, em 1817. E uma das coisas que ele mais gostava de fazer era sacanear os cantores 😄
Nas óperas bufas, ele simplesmente enche a partitura de trechos rapidíssimos, quase impossíveis, cheios de sílabas, repetição e zero espaço pra respirar. E quanto mais atrapalhado, ansioso ou ridículo é o personagem, mais rápido ele escreve.
O trecho “Sia qualunque delle figlie” é exatamente isso: o pensamento atropelando a fala deixando o cantor e o público sem ar!! Rsrsrs Quase 200 anos antes de Eminem, Rossini já dominava a arte do trava-língua com maestria.😎
Quem segura essa bronca no vídeo é o barítono georgiano @kiriamisha , com uma naturalidade e uma veia cômica digna de um grande artista. Parece fácil. Não é… mesmo!!!👏👏👏👏
E quando você começa a perceber esse tipo de detalhe, a música muda completamente de nível.
No Clube da Música Clássica, é esse olhar que a gente constrói junto. Não é só ouvir… é a ARTE DA ESCUTA!!
E em abril, vêm novidades importantes por aí.
Se você ainda não faz parte… talvez esteja ouvindo só metade da história, e tendo muito menos prazer!!
Vamos ouvir música juntos??
Venha aprender com a gente!!
#clubedamusicaclassica #músicaclássica #rossini #rap #arte
@clube_da_musica_classica
486.8K
BE🎼 The King's Singers — Overture to 'William Tell'
✨Can you actually believe what your ears are witnessing right now? Close your eyes for a second and try not to look for the violins, the flutes, or the percussion. What you hear is a perfect sonic illusion, a secret kept by six voices that decided to defy the laws of musical physics.
What’s happening here isn’t just singing; it’s a form of human engineering forbidden to amateurs. The legendary "William Tell Overture," composed by Rossini in 1829 for a full symphonic orchestra, is here deconstructed and rebuilt using nothing but air and vocal cords. Every rhythmic attack, every crescendo, and every melodic transition is executed with a surgical precision that feels almost supernatural.
How can six men replicate the dense texture of an entire orchestra without a single instrument on stage? The answer lies in absolute vocal agility. From the crystalline highs of the countertenors to the seismic foundation of the bass, there is a millimetric synchrony that cheats the brain. It is the ultimate proof that the most complex and powerful instrument in the universe is still the human voice.
This rare performance, captured during the group's 50th-anniversary tour, transforms a classical melody into an epic moment of pure adrenaline. It’s a showcase of strength, breath, and acoustic mysticism that redefines what’s possible to achieve on a stage. Get ready to question everything you knew about the limits of the human body.
🎤 The King's Singers 🇬🇧
🎼 William Tell Overture Gioachino Rossini
Composed: 1829
#TheKingsSingers #OperaMagic #VocalPerfection #Rossini
@bestofopera
118.6K
THFollow Us
🎭The Sovereignty of the Baritenor
The vocal physiognomy of Michael Spyres represents a transmutation of the contemporary operatic canon. In this performance of ‘Largo al factotum’, Spyres displays a technical agility that manifests the reality of his status as a baritenor: a voice that inhabits the depth of the baritone while conquering the summits of the tenor with natural precision. His mastery of the rhythmic axis and his ability to concatenate vocal acrobatics establish this performance at the Royal Albert Hall as a standard of absolute excellence.
🏛️Acclaimed in temples of rigour such as alla Scala, Spyres challenges the rigidity of the Fach system. His career is a lesson in willpower; an artist who began with a limited register and, through iron discipline, developed a sonic extension that today spans three octaves. His interpretation of Rossini is a display of power and a declaration of technical sovereignty that blurs restrictive labels to embrace seamless versatility.
We observe the culmination of training that rejects hyper-rigid categorisation, allowing the voice to evolve as a living organism. Spyres demonstrates that true authority resides in flexibility and a profound knowledge of music history, transforming each aria into a masterpiece of virtuosity and emotion.
Performance: Michael Spyres
#allascala #Rossini #OperaLirica #BelCanto #RoyalAlbertHall
@themfmofficial
50.4K
TH💈From “Largo al factotum” — Figaro in The Barber of Seville. 🇪🇸
Figaro imitates the voices of his clients calling him from everywhere 📣🎭
That’s what I love about the Buffo repertoire:
pushing the voice to its limits — from high C to low C — to bring characters to life 🔥🌟
Follow me for more Basso Buffo content 🎶🤡🎺
Agency : @agentsalma2a
#óperasinger
#rossini
#classicalvoice
#vocaltechnique
#voicetraining
@thibaultdedamas
909.7K
TH"Largo al factotum" is Figaro's entrance aria in Gioachino Rossini's beloved comic opera The Barber of Seville, first performed in 1816. The piece was designed by Rossini to introduce one of opera's most enduring characters: a quick-witted, self-assured barber who positions himself as the go-to problem solver for everyone in Seville. The music reflects all of this with its rapid tempo, playful orchestration, and demanding vocal lines that push the singer to the very edge of their abilities.
What makes this aria so special is the combination of technical difficulty and theatrical energy it requires. A baritone performing "Largo al factotum" must navigate lightning-fast passages, maintain clear diction through some of opera's most tongue-twisting lyrics, and somehow make it all look completely natural. There is very little room for error, and the audience knows it, which is part of what makes a great performance of this piece so exhilarating to witness.
At the Royal Albert Hall during Classic FM Live, Michael Spyres rose to every one of those challenges and then some. Choosing to begin his performance from the floor of the arena rather than the stage, he established an immediate connection with the audience before singing a single note. From the opening "la la la" to the final triumphant phrases, Spyres delivered a master class in operatic performance, blending vocal brilliance with the kind of infectious charisma that made Figaro iconic in the first place.
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#ClassicalMusic #OperaPerformance #LargoAlFactotum #ClassicalMusicLovers #OperaCommunity
@theurbanherald
268.5K
VOIl gattone Rossini, mascotte di Rovigo, senza padrone ma con mille padroni, ospite abituale delle vetrine del centro e presenza fissa sulle locandine della manifestazioni e degli eventi cittadini, protagonista di servizi anche dei media nazionali, oltre che di un fumetto, è stato investito e ucciso nella mattinata di oggi, sabato 14 febbraio, in pieno centro.
E' accaduto in prossimità di via Celio, uno dei suoi angoli preferiti del centro. Sul posto è intervenuta la polizia locale, ma, per il gattone, non è stato possibile fare nulla.
@vocedirovigo
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