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#Setdesign Reel by @lamiradatheatre - The cast of Sweeney Todd sees the brilliant set for the first time in the Rehearsal Studio! Set Design by @ptdepoo Grab your tickets today for the t
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@lamiradatheatre
The cast of Sweeney Todd sees the brilliant set for the first time in the Rehearsal Studio! Set Design by @ptdepoo Grab your tickets today for the theatrical event of the season! #broadway #theatre #sweeneytodd #lamiradatheatre #sondheim
#Setdesign Reel by @reevcon (verified account) - the set design for the traitors is next level honestly, also so pumped for the finale this week
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@reevcon
the set design for the traitors is next level honestly, also so pumped for the finale this week
#Setdesign Reel by @caje.afonso (verified account) - You walk into a stadium expecting a stage. Instead, there is a full-size airplane sitting in the middle. And then it opens. Apache 207 doesn't perfo
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@caje.afonso
You walk into a stadium expecting a stage. Instead, there is a full-size airplane sitting in the middle. And then it opens. Apache 207 doesn’t perform in front of it. He performs on it. Across the body. Onto the wings. At times, floating in the clouds. This plane is not spectacle. It is the story. From humble beginnings to altitude. From the ground to the sky. From dreaming to arriving. The set design turns biography into architecture. The metaphor does the storytelling. No explanation needed. This is when concerts stop being shows and start becoming experiences. Credits: @apache #LiveExperiences #ConcertDesign #StageDesign #ImmersiveEntertainment #huemancreative
#Setdesign Reel by @britishvogue (verified account) - Shot by photographer @JackDavisonPhoto on the windswept coastline near her home in Norfolk, the images of #JessieBuckley in the February 2026 issue of
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BR
@britishvogue
Shot by photographer @JackDavisonPhoto on the windswept coastline near her home in Norfolk, the images of #JessieBuckley in the February 2026 issue of #BritishVogue set out to capture the epic mood of her unstoppable rise. Watch here as Vogue takes you behind the scenes and see the full story in the new issue, on newsstands Tuesday 20 January. #JessieBuckley styled by @RaphaelHirsch, with hair by @ShioriTakahashi, make-up by @NiamhQuin, set design by @AliceKpk and production by @MiniTitleLTD. With thanks to George Wilcox and Seb Cassibba.
#Setdesign Reel by @reigermar (verified account) - out for delivery 💐 @gentlemonster Video by @inahrri Make up by @misspamcarreon Hair by @_justineocampo Styled by @lynus Wearing @signatureofgen Set
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@reigermar
out for delivery 💐 @gentlemonster Video by @inahrri Make up by @misspamcarreon Hair by @_justineocampo Styled by @lynus Wearing @signatureofgen Set Design by @seana_san Produced by @jamesmasilungan_ Shot at @tansoartstudio #GentleMonster #GentleMonster2026 #GentleMonster_BouquetCollection
#Setdesign Reel by @art (verified account) - Guillermo del Toro approaches filmmaking as a total environment with costumes, set design, architecture, and lighting all speaking the same visual lan
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@art
Guillermo del Toro approaches filmmaking as a total environment with costumes, set design, architecture, and lighting all speaking the same visual language. For Frankenstein, he worked closely with costume designer Kate Hawley (@katehawleycostume) and production designer Tamara Deverell (@tamdev) to ensure nothing was decorative for its own sake. Del Toro has been vocal about his insistence on practical sets over digital ones, demanding real stonework, real materials, real weight. The philosophy is straightforward: if it’s in the frame, it has to mean something.
#Setdesign Reel by @somethingtoproveseries - Episode 1 of Something To Prove The Series: HOW DID WE GET HERE? 🧐 In episode 1, Maya Kurian navigates getting ready for her first day at her new j
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@somethingtoproveseries
Episode 1 of Something To Prove The Series: HOW DID WE GET HERE? 🧐 In episode 1, Maya Kurian navigates getting ready for her first day at her new job and in her new life, living outside the control of her strict South Indian mom, Anjali. #comingofageseries #romcomseries #adulting #desi #browngirl Writer/Producer Anita Kalathara @anitakalathara Director Nathan Rey Gold @nathanreygold Cast: Maya Kurian - Anita Kalathara Anjali Kurian - Kavi Ramachandran Crew: AD - Kyle Levine Sound - Luke Lytikainene On set Producer - Grace Su Production Assistant - Krupa Naik Set Design - Megan Le Post Production: Editor: Edgar Cheung Colorist: Joel McWilliams Sound Mix: Kunal Rajan Composer: Ameya Saraf “I’m Still Here” by Fiora Music Licensed through Louderstar Records and published through Fiora Cutler publishing. Special thanks to @fioramusic and @disruptorsfellowship
#Setdesign Reel by @_manabouttownuk (verified account) - A little Reel-sharing here and there never hurt anybody. What makes a villain and what makes a hero? In the link in our bio, Man About Town's Spring/
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@_manabouttownuk
A little Reel-sharing here and there never hurt anybody. What makes a villain and what makes a hero? In the link in our bio, Man About Town’s Spring/Summer 2026 cover star @twhiddleston plays moral adjudicator, as we propose perennial scenarios you might have found yourself in. Videography by @sentrosifilm Styling by @luke_jefferson_day Editor-in-Chief @luke_jefferson_day Senior Editor @andreww_wright Art Director @mike.w.morton Production Director Lola Randall Junior Art Director @llltash Senior Online Editor @sofiacsf Social Media Editor @julietteeleuterio Style & Watches Editor @olliecrocs Editorial & Social Writers @joejoden  Grooming by @amanda.grossman at @forwardartists  Set Design by @setdesignbykate at @maisonmardi___mgmt Photography by @jasonhetheringtonstudio Photography Assistant @alfie_bungay Styling Assistants @zac_sunman  Set Design Assistant @zona__industriale
#Setdesign Reel by @movieluts (verified account) - Filmmakers can isolate a character visually by making them stand out from everything around them through set design, costume, or even hair. In Playtim
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@movieluts
Filmmakers can isolate a character visually by making them stand out from everything around them through set design, costume, or even hair. In Playtime (1967), Jacques Tati places characters inside rigid, uniform modern spaces so when someone behaves or moves differently, they immediately draw the viewer’s attention. Costume design can do the same thing, like in The Intouchables (2011), where Driss enters a room full of formally dressed applicants but is the only one wearing sneakers and casual clothes, instantly separating him from the rest. Even hair design can isolate a character, as seen in Blue Is the Warmest Color (2013), where Emma’s bright blue hair makes her stand out in almost every scene she appears in. Featured movies: Playtime (1967) The Intouchables (2011) Blue Is the Warmest Color (2013) In collaboration with @myfrenchstories
#Setdesign Reel by @bitching - AI went crazy on this one 😭 why does it look so real?! The production of Stranger Things is famously meticulous, with each season taking nearly a ye
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@bitching
AI went crazy on this one 😭 why does it look so real?! The production of Stranger Things is famously meticulous, with each season taking nearly a year or more to film and complete. Pre-production, including writing and set design, often begins months in advance, with the Duffer Brothers and their team carefully crafting scripts and the show’s nostalgic 1980s aesthetic. Principal photography usually spans several months, often starting in the summer in Georgia, where the series is primarily shot. Post-production, including visual effects, sound design, and editing, can take additional months due to the show’s heavy reliance on supernatural effects and period-accurate details. Overall, a single season can take roughly 9–12 months from start to finish. #strangerthings #cast #netflix #milliebobbybrown #finnwolfhard
#Setdesign Reel by @maccosmetics (verified account) - Happy Valentine's Day ❤️❤️❤️ FYI: Our Powder Kiss formulas deliver the perfect flush of color for just-kissed lips...and cheeks 💋. ELLA wears MAC P
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MA
@maccosmetics
Happy Valentine's Day ❤️❤️❤️ FYI: Our Powder Kiss formulas deliver the perfect flush of color for just-kissed lips...and cheeks 💋. ELLA wears MAC Powder Kiss Hazy Matte Lip + Cheek Mousse in Pink Roses. ELLA from @MEOVV for @maccosmetics Directed by Tyler Kohlhoff @tylerkohlhoff Set Design by Matt Jackson @mattjacksonmattjackson MAC Global Creative Director Nicola Formichetti @nicolaformichetti Makeup by Fulvia Farolfi @fulviafarolfi Shop now – online or at your nearest MAC Store. #MACPowderKiss
#Setdesign Reel by @jaydenprelc - the result of putting Jayden & Josh in a studio 🪩 choreo by us!! set design by the Wicked Christmas door entrants!!
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@jaydenprelc
the result of putting Jayden & Josh in a studio 🪩 choreo by us!! set design by the Wicked Christmas door entrants!!

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