#Bestofopera

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#Bestofopera Reel by @bestofopera (verified account) - 🦢 Katica Illényi - The Swan

✨ Watch her hands hover in the air, never making contact, and yet the theremin sings. This is an instrument that respond — 🦢 Katica Illényi - The Swan ✨ Watch her hands hover in the air, never making contact, and yet the theremin sings. This is an instrument that responds to electromagnetic fields—controlled by the distance between fingertips and antennas, nothing more. No keys, no bow, no breath. Just the trembling space between intention and sound. Katica Illényi doesn't play it; she choreographs invisible forces, coaxing melody from a void. One millimeter too close, one hand too tense, and the note collapses. The swan she conjures isn't programmed—it's sculpted from risk. 🎭 The theremin is the only instrument in the world you never touch. Invented in 1920 by Léon Theremin, it was science fiction made audible—an eerie, otherworldly voice that could mimic the human soul or haunt a nightmare. To master it demands supernatural control: steady hands, absolute spatial awareness, and the nerve to sustain long phrases without any tactile feedback. There are no frets, no markers, no safety net. Illényi transforms Saint-Saëns' dying swan into proof that the theremin isn't just a curiosity—it's capable of breaking your heart. 👤 Katica Illényi 🇭🇺 Instrument: Theremin 🎼 "The Swan" (Le Cygne) Composer: Camille Saint-Saëns Conductor: Szabolcs Kulcsár Orchestra: Cluj-Napoca Hungarian Opera's Orchestra Can technology ever hold a soul like this? Follow for more moments where music becomes emotion. #classicalmusic #theremin #vocalart #bestofopera #opera

#Bestofopera Reel by @bestofopera (verified account) - 🎶 Jamal Moore & Bel Canto Choir Vilnius - Waloyo Yamoni (Christopher Tin)

🌍 Did you know that one of the most viral pieces of choral music on the — 🎶 Jamal Moore & Bel Canto Choir Vilnius — Waloyo Yamoni (Christopher Tin) 🌍 Did you know that one of the most viral pieces of choral music on the internet started as a rainmaking prayer from Uganda? "Waloyo Yamoni" — meaning "We Overcome the Wind" — is a setting of an ancient Lango prayer, composed by two-time Grammy winner Christopher Tin as the grand finale to his album The Drop That Contained the Sea. Tin was commissioned in 2012 to write something that fused classical and non-Western traditions — similar to his legendary "Baba Yetu," the Civilization IV theme that made history as the first video game music ever to win a Grammy. What he created transcended all expectations: a 12-minute journey from whispered invocation to overwhelming orchestral catharsis. ✨ The text is a genuine Lango rainmaking litany — a call for rain, for life, for abundance. The Lango people of northern Uganda have sung variations of these words for centuries. Tin wrapped this ancient plea in sweeping orchestral and choral writing, creating something that feels simultaneously primal and cinematic. The piece was originally recorded with the Royal Philharmonic Orchestra and the Soweto Gospel Choir, and since 2022, a live clip from Tin's 2016 Cadogan Hall concert has gone viral on social media multiple times. 🎤 This performance is from the "Open to the World" festival in Vilnius, Lithuania, in December 2024 — Christopher Tin's first visit to the Nordic-Baltic region. 🎤 Jamal Moore 🇺🇸 Voice type: Baritone Education: Eastman School of Music (Opera) 🎤 Bel Canto Choir Vilnius 🇱🇹 Type: Mixed Choir Artistic Director: Milda Švelnienė @belcantochoirvilnius 🎼 Waloyo Yamoni — The Drop That Contained the Sea Composer: Christopher Tin 🇺🇸 Composition date: 2012 Text: Lango rainmaking prayer (Uganda) Does this prayer make you feel 🌧️ at peace or 🔥 on fire? Tell us! #BestOfOpera #choir #choralmusic #opera

#Bestofopera Reel by @antoniobelluzzoneto - Luciano Pavarotti - "Nessun Dorma" (Live). @lucianopavarotti

"Nessun dorma" is an aria from the final act of Italian composer Giacomo Puccini's oper — Luciano Pavarotti - "Nessun Dorma" (Live). @lucianopavarotti "Nessun dorma" is an aria from the final act of Italian composer Giacomo Puccini's opera Turandot (text by Giuseppe Adami and Renato Simoni) and one of the best-known tenor arias in all opera. It is sung by Calaf, il principe ignoto (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. Any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. In the aria, Calaf expresses his triumphant assurance that he will win the princess. "The music itself could never take the place of my own passion in life*. _Luciano Pavarotti @lucianopavarotti Music Heals.🔥 #classicmusical #classicmusician #músicaclássica #músicaclassica #thethreetenors

#Bestofopera Reel by @bestofopera (verified account) - Some voices belong to another century entirely.

✨ When Jakub Józef Orliński opens his mouth, time collapses. The sound that emerges belongs to the co — Some voices belong to another century entirely. ✨ When Jakub Józef Orliński opens his mouth, time collapses. The sound that emerges belongs to the courts of Venice in 1724, yet it lands in our modern ears with the force of something utterly new. This is the countertenor voice—a register so rare, so technically demanding, that for centuries it was almost lost to history. Watching him navigate Vivaldi's "Vedrò con mio diletto," you witness something unsettling: a young man producing notes that seem to defy the laws of human anatomy, all while embodying a character consumed by the dark pleasure of revenge. 🎭 Vivaldi wrote Il Giustino for the castrati of his era—male singers who sacrificed their bodies to preserve the ethereal purity of their boyhood voices. Today, countertenors like Orliński have reclaimed this repertoire through sheer virtuosity, training their natural voices to reach heights most tenors abandon. This aria is a minefield: rapid coloratura passages that demand absolute precision, breath control that would exhaust an Olympic athlete, and the emotional complexity of singing beautiful music about ugly emotions. Every run, every ornament is a tightrope walk between technical perfection and raw theatrical power. 🎤 Soloist * Name: Jakub Józef Orliński * Voice Type: Countertenor * Nationality / Background: Polish * Vocal Signature / Artistic Identity: Rising star of the Baroque revival movement; known for bringing athletic energy and modern intensity to historical repertoire * Career Highlights: Grammy-nominated; recognized globally for redefining countertenor artistry for contemporary audiences 🎼 Work * Piece: "Vedrò con mio diletto" * Composer: Antonio Vivaldi * Opera / Context: Il Giustino Countertenor or soprano: Can you tell the difference? Follow for more moments where music becomes emotion. #countertenor #classicalmusic #operasinger #bestofopera #opera

#Bestofopera Reel by @ricardoytorres (verified account) - @bestofopera 🕊️ Mirusia Louwerse - Ave Maria

✨ Mirusia Louwerse performs Ave Maria with the Johann Strauss Orchestra, bringing Schubert's masterpiec — @bestofopera 🕊️ Mirusia Louwerse — Ave Maria ✨ Mirusia Louwerse performs Ave Maria with the Johann Strauss Orchestra, bringing Schubert’s masterpiece to life with elegance and emotion. Her soprano voice is clear and luminous, highlighting the beauty and serenity of this iconic composition from 1825. During the performance, every note flows naturally, showing her technical skill and artistic sensitivity. The orchestra supports her perfectly, creating a balance between voice and instruments that makes the music truly shine. Mirusia is known for her soprano voice and her collaborations with André Rieu, reaching audiences worldwide with classical and operatic music. This performance of Ave Maria is a testament to her talent, dedication, and love for music, showing why she is one of today’s most celebrated sopranos. 🎤 Mirusia Louwerse 🇦🇺 Soprano Born: March 29, 1985 🎼 Ave Maria Franz Schubert Composed: 1825 #Mirusia #AveMaria #AndreRieu #Opera #ClassicalMusic Soprano

#Bestofopera Reel by @bestofopera (verified account) - 🎼 Baba Yetu - Stellenbosch University Choir

✨ There's a moment in this performance where time seems to pause. A hundred voices, each with its own st — 🎼 Baba Yetu - Stellenbosch University Choir ✨ There's a moment in this performance where time seems to pause. A hundred voices, each with its own story, merge into a single living breath. The Stellenbosch University Choir doesn't just sing Baba Yetu—they channel something older than opera houses, something that exists in the space between rhythm and prayer. You feel it in your chest before your mind catches up: this is what happens when excellence refuses to fade, when young voices carry the weight of tradition and lift it into the air like smoke rising from a sacred fire. 🎭 Christopher Tin composed Baba Yetu—a Swahili setting of the Lord's Prayer—for a video game, and it became the first game music to win a Grammy. But here, arranged by André van der Merwe and performed at Llangollen 2018, it transcends categories. This isn't about virtuosity in the operatic sense; it's about surrender. The difficulty isn't technical—it's spiritual. Can a hundred individuals let go of ego and become one organism? Can they build a crescendo that feels like hope itself, layering harmonies until the final "Amina" doesn't sound like an ending, but an ascension? 👥 Stellenbosch University Choir 🇿🇦 Type: University Choir Featured Performance: Llangollen International Musical Eisteddfod 2018 🎼 "Baba Yetu" Composer: Christopher Tin Composed: 2005 Arranger: André van der Merwe Can choral music move you like a solo aria? Follow for more moments where music becomes emotion. choir #classicalmusic #vocalart #bestofopera #opera

#Bestofopera Reel by @bestofopera.es - 🎼 Baba Yetu - Coro de la Universidad de Stellenbosch

✨ Hay un momento en esta interpretación en el que el tiempo parece detenerse. Cien voces, cada — 🎼 Baba Yetu – Coro de la Universidad de Stellenbosch ✨ Hay un momento en esta interpretación en el que el tiempo parece detenerse. Cien voces, cada una con su propia historia, se funden en un único aliento vivo. El Coro de la Universidad de Stellenbosch no solo canta Baba Yetu; canaliza algo más antiguo que los teatros de ópera, algo que existe en el espacio entre el ritmo y la oración. Lo sientes en el pecho antes de que la mente lo comprenda: esto es lo que sucede cuando la excelencia se niega a desvanecerse, cuando voces jóvenes cargan el peso de la tradición y lo elevan en el aire como humo que asciende de un fuego sagrado. 🎭 Christopher Tin compuso Baba Yetu, una versión en suajili del Padre Nuestro, para un videojuego, y se convirtió en la primera música de un juego en ganar un Grammy. Pero aquí, arreglada por André van der Merwe e interpretada en Llangollen 2018, trasciende las categorías. No se trata de virtuosismo en el sentido operístico; se trata de entrega. La dificultad no es técnica, es espiritual. ¿Pueden cien individuos soltar el ego y convertirse en un solo organismo? ¿Pueden construir un crescendo que se sienta como la esperanza misma, superponiendo armonías hasta que el “Amina” final no suene como un final, sino como una ascensión? 👥 Coro de la Universidad de Stellenbosch 🇿🇦 Tipo: Coro universitario Actuación destacada: Festival Internacional Musical de Llangollen 2018 🎼 “Baba Yetu” Compositor: Christopher Tin Compuesta en: 2005 Arreglista: André van der Merwe ¿Puede la música coral conmoverte como un aria solista? Sigue la cuenta para más momentos en los que la música se convierte en emoción. #coro #musicaclasica #artevocal #bestofopera #opera

#Bestofopera Reel by @bestofopera.es - 👑 Edita Gruberová - Una voce poco fa

✨ El público permanece hechizado mientras Gruberová asciende a la estratosfera del terreno de juego más peligro — 👑 Edita Gruberová – Una voce poco fa ✨ El público permanece hechizado mientras Gruberová asciende a la estratosfera del terreno de juego más peligroso de Rossini. Esto no es solo una demostración de destreza técnica: es una mujer convirtiendo la belleza en un arma, transformando cada trino y cada salto en una declaración de voluntad. La orquesta burbujea bajo ella como champán y, cuando por fin libera ese fa sobreagudo, se siente menos como una nota y más como un jaque mate. Se ve en sus ojos: Rosina ya ha ganado, y se lo hace saber a toda la sala con precisión cristalina. 🎭 Rossini escribió “Una voce poco fa” como un monólogo interior del personaje disfrazado de canción de amor: Rosina declara que conseguirá lo que quiere, cueste lo que cueste. Lo que hace que esta aria sea devastadoramente difícil no es solo la acrobacia de la coloratura, sino mantener la picardía del personaje mientras se ejecutan pasajes que exigen un control de la respiración a nivel olímpico y notas agudas intrépidas. Gruberová lo hace parecer un juego que ella misma inventó, su voz danzando entre los adornos con esa inteligencia traviesa que define el papel. Es una soprano que entiende que el poder de Rosina no reside en el volumen, sino en un encanto irresistible respaldado por acero. 🎤 Edita Gruberová 🇸🇰 Tipo de voz: Soprano (coloratura) Año de la interpretación: 1997 🎼 “Una voce poco fa” Compositor: Gioachino Rossini Compuesta en: 1816 Ópera: Il barbiere di Siviglia Sigue la cuenta para más momentos en los que la música se convierte en emoción. #operacantante #musicaclasica #artevocal #bestofopera #opera

#Bestofopera Reel by @solenceofficial (verified account) - Our social media manager had us sing Phantom of the Opera...who did the best? #phantomoftheopera — Our social media manager had us sing Phantom of the Opera...who did the best? #phantomoftheopera

#Bestofopera Reel by @bestofopera.es - 🦢 Katica Illényi - The Swan

✨ Observa sus manos suspendidas en el aire, sin llegar a tocar nada, y aun así el theremín canta. Este es un instrumento — 🦢 Katica Illényi – The Swan ✨ Observa sus manos suspendidas en el aire, sin llegar a tocar nada, y aun así el theremín canta. Este es un instrumento que responde a campos electromagnéticos, controlado únicamente por la distancia entre las yemas de los dedos y las antenas, nada más. Sin teclas, sin arco, sin aliento. Solo el espacio tembloroso entre la intención y el sonido. Katica Illényi no lo toca; coreografía fuerzas invisibles, arrancando melodía del vacío. Un milímetro de más, una mano demasiado tensa, y la nota se derrumba. El cisne que ella evoca no está programado: está esculpido a partir del riesgo. 🎭 El theremín es el único instrumento del mundo que nunca se toca. Inventado en 1920 por Léon Theremin, fue ciencia ficción hecha audible: una voz inquietante, de otro mundo, capaz de imitar el alma humana o de habitar una pesadilla. Dominarlo exige un control casi sobrenatural: manos firmes, conciencia espacial absoluta y el temple necesario para sostener largas frases sin ningún tipo de referencia táctil. No hay trastes, no hay marcas, no hay red de seguridad. Illényi transforma el cisne moribundo de Saint-Saëns en la prueba de que el theremín no es solo una curiosidad: es capaz de romperte el corazón. 👤 Katica Illényi 🇭🇺 * Instrumento: Theremín 🎼 “The Swan” (Le Cygne) * Compositor: Camille Saint-Saëns * Director: Szabolcs Kulcsár * Orquesta: Orquesta de la Ópera Húngara de Cluj-Napoca ¿Puede la tecnología sostener un alma de esta manera? 👉Sigue la cuenta para más momentos en los que la música se convierte en emoción. #musicaclasica #theremin #artevocal #bestofopera #opera

#Bestofopera Reel by @bestofopera (verified account) - ✨ Emma Kok - Voilà 🇳🇱

THE MIRACLE OF MAASTRICHT: THE UNBROKEN ROAR

🏰 What occurs when the physical limits of the human frame collide with the va — ✨ Emma Kok — Voilà 🇳🇱 THE MIRACLE OF MAASTRICHT: THE UNBROKEN ROAR 🏰 What occurs when the physical limits of the human frame collide with the vastness of an indomitable soul? In the historical heart of Maastricht’s Vrijthof square, under the piercing gaze of André Rieu and a breathless audience of thousands, a 15-year-old girl stepped into a light that would soon become a pillar of fire. Emma Kok did not merely arrive to sing; she arrived to declare a sovereign victory over the limitations of the human frame. For those unaware, Emma’s daily life is a battleground of resilience; she suffers from Gastroparesis, a condition that has paralyzed her digestive system, forcing her to rely on feeding tubes for 22 hours every single day. Yet, when she draws breath to perform Barbara Pravi’s "Voilà," the medical reality vanishes, replaced by a "stolen melody" that seems to vibrate from the very foundations of the earth. This is not the voice of a child seeking sympathy; this is the roar of a titan claiming her throne in the pantheon of great performers. The performance is a masterclass in emotional architecture. As the Johann Strauss Orchestra provides a lush, cinematic backdrop, Emma’s soprano delivery begins with a haunting, almost whispered vulnerability, only to swell into a tidal wave of sound that leaves seasoned musicians in tears. Every note she sustains—those long, crystalline melismas—is a testament to a spirit that refuses to be diminished. When she reaches the crescendo, crying out "Voilà!" to the heavens, she is translating her internal struggle into a universal language of triumph. ✨🏛️🌟 🎤 Emma Kok 🇳🇱 Soprano Born 12/03/2008 🎼 Voila Barbara Pravi 🇫🇷 2020 Chills (❄️) or Tears (😭)? #emmakok #andrerieu #voila #bestofopera

#Bestofopera Reel by @laopera (verified account) - Even the children of Paris are trendy! Thanks to our child performers, the grown-ups backstage think twice anytime they have to mention the phrase "si — Even the children of Paris are trendy! Thanks to our child performers, the grown-ups backstage think twice anytime they have to mention the phrase “six seven.” 😂 See their phenomenal performance at LA Opera’s La Bohème (sans the cheers of “6 7!” of course). Experience one of the best things to do in Los Angeles this holiday season—now through December 14th! #Opera #LAOLABoheme

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