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ALHere’s a quick look at the workflow I used on the vinyl toy campaign 👀
Weavy was the base environment for everything,
inside that, I generated stills using Nano Banana, then pushed those assets into motion with Kling 2.5 Turbo, before finishing and refining in After Effects.
What I like about working this way is that the pipeline stays flexible. You’re not constantly rebuilding assets, you’re shaping, testing and iterating while the creative direction stays intact.
This isn’t about skipping the process.
It’s about building systems that let you explore ideas faster and make better decisions earlier.
AI here isn’t the output, it’s part of the workflow.
Taste, intent and polish still do the heavy lifting.
#motiondesign #creative #animation #aftereffects #editing
@alfiemotion
