8.5K
NII finally understand Mark Rothko’s blurry blobs of color
#markrothko #modernart #abstractartwork
@nickvsartworld
#Markrothko
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(12)
531.7K
ARMark Rothko on the old vs new art world
#art #artrkl #artdaily #instaart #contemporaryart #artlovers #creativeprocess #artisticexpression #visualart #artcommunity #modernart #artcollector #markrothko
@artrkl_mag
517.1K
SOWatch the first 60 seconds of an 8-minute bidding battle over Mark Rothko’s transcendent masterpiece No. 7 from 1951, that ultimately fetched $82.5 million at tonight’s historic sale, the first of two dedicated single-owner auctions at Sotheby’s for The Macklowe Collection.
“The tour de force that is Mark Rothko’s No. 7 was a bedrock of The Macklowe Collection,” says @gbillault, Sotheby’s Chairman for Contemporary Art. “A perfect symphony of color, light and scale, this painting stands shoulder to shoulder with the greatest works the artist ever painted.”
For more of tonight’s highlights, visit our link in bio. #SothebysNewYork #TheMackloweCollection #MarkRothko
@sothebys
15.6K
INMark Rothko, the renowned artist born as Marcus Rotkovich in 1903, embraced the profound emotional potential of color in his iconic paintings. His mastery lay in the interplay of colors, shapes, and backgrounds, evoking varied moods through soft brushwork around color fields and sharp lines within central forms.
Drawing from ancient, medieval, and Renaissance art, Rothko created enigmatic yet powerful works, often described as “facades” revealing hints of emotion rather than explicit narratives. Gradually evolving towards abstraction, his signature style of color juxtapositions—like deep blues against purples or bright reds against browns—elicited disparate emotional responses, marking Rothko as a seminal figure in 20th-century art.
Photo Credits:
1 Mark Rothko standing in front of one of his monumental canvases, 1961 / Courtesy Kate Rothko / Getty Images
2 Abstract master Mark Rothko / Courtesy of the Rothko Foundation
INSPIRAGGIO - 2024
Classical antiquity for the modern age.
#abstractartwork #markrothko #colorart
@inspiraggio
645.8K
ARThat Rothko show 😮💨
#MarkRothko #FondationLouisVuitton #Rothko #AbstractExpressionism
@artdrunk
4.5K
HIWell my dear friends these are indeed huge red paintings but they are the subjects of one of the biggest art statement ever made.
Mark Rothko was supposed to give these painting to the four seasons restaurant in New York when he ended up changing his mind (returning the money after working on those for 2 years) because he believed that his pieces should be accessible to everyone and not just privatized for people paying hundreds of dollars for a luxury meal... so he donated them to the Tate.
Just for that he deserves 818161 posts 😂
#markrothko #art #artfact #historyofart
#londonart
@historywithemma
491.8K
HOIn Red from National Theatre, Alfred Molina portrays painter Mark Rothko opposite Alfred Enoch as his young assistant, inside a pressure-cooker of ego, philosophy, and artistic responsibility. Written by John Logan, the play isn’t about technique so much as belief—what art owes the world, and what it costs the person who makes it. Rothko’s fury toward Jackson Pollock isn’t jealousy, but fear: that spectacle might replace depth, and that seriousness itself could be drowned out by noise. 🎭
#RedPlay #NationalTheatre #MarkRothko #ActingCraft #art
@hoosierboyfilms
15.5K
MARothko wanted to raise painting to the level of poignancy of music and poetry and he succeeded beyond words.
To say that this show is spectacular is an understatement. 115 paintings on loan from museums and private collections that have never been shown together before in such a comprehensive way.
Outstanding effort of everyone @fondationlv to make this happen 👏🏽🧡💚
@mariabrito_ny
156.5K
SFEven art needs a little pick-me-up sometimes! Watch as our conservator, Jennifer Hickey, gives Mark Rothko’s “No. 14” (1960) a retouch.
#FunFact “No. 14” has only left our galleries twice since entering our collection in 1997, once in 2013 and more recently for an exhibition at @foundationlv. Upon the Rothko’s return, our conservation team jumped on this rare opportunity to bring it to their studio for maintenance. The last time it was conserved this comprehensively was in 1998!
This visitor favorite will be back in our galleries on Thursday, June 6. Check back soon for a behind-the-scenes look at how this painting traveled from Paris back to our museum.
[Mark Rothko, No. 14, 1960; collection SFMOMA, Helen Crocker Russell Fund purchase; photo: Ben Blackwell; © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York.]
#MarkRothko #Rothko #Museum #MuseumLife #Conservation
@sfmoma
18.3K
THMark Rothko
Grays in Yellow
Oil on watercolor paper mounted on linen
1960
Many of Rothko’s paintings on paper from this period sold quickly to private collectors and are seldom seen publicly. This work, however, was exhibited twice before it was sold by Rothko’s dealer, Sidney Janis: once at the Munson-Williams-Proctor Arts Institute in Utica, New York, and again at Janis’s gallery in New York City. In both instances, as now, the painting was called Grays in Yellow, a title assigned by Janis rather than the artist. Rothko abandoned descriptive titles around 1947, preferring that viewers encounter his works without any guidance or distraction.
@theartdistricts
192.5K
THStill holding out for the tears #markrothko #rothko #nelsonatkinsmuseumofart #art #artreview #artlessons
@theartrevival_
125.1K
NG¿Sabías que Mark Rothko no titulaba sus cuadros?
“El silencio es tan certero”, dijo el artista estadounidense. Rothko quería evitar interrumpir el proceso de contemplación e imaginación del espectador al ver sus obras, por lo cual ni solía responder a preguntas sobre su significado.
Esta libertad, y las reacciones del público, demuestran la habilidad humana de interpretar una misma imagen de mil formas distintas.
📍 Nuestra Torre Rothko
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#rothko #markrothko #silence #art #arte #modern #abstract #peace #explore #travel #explorar #abstracta #silencio #color #colores #meditation
@ngadc
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