351.9K
AS“Again and again.. as if under a spell, or hypnotized.. she couldn’t escape.”
To film today’s youth with its sudden outbursts of feelings before it calms back down, with the rapid evolution of affects and the repetitive nature of tension and release, it seemed to me that I had to work as if with a magnifying glass, to maximize everything. I had to be closer to them to try to tease out the details of their emotions, to seize the expressions of their faces. - Hou Hsiao-Hsien (Metrograph, 2001)
Millennium Mambo (2001), Hou Hsiao-Hsien
#asiancinema #taiwanesecinema
@asiancinemaarchive
![#Millenium Mambo Reel by @christopherhooton (verified account) - 'Millennium Mambo' [2001, Hou Hsiao-hsien]](https://image.pictame.com/img/504064747_4082937401978193_8814453314265096200_n.jpg?hash=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)
