1.2K
THOur Type Design Workshop wrapped up this week ✨ It’s been really nice following everyone’s process over the past 8 weeks, from early sketches and experiments to typefaces that started to feel like their own.
@thecombine_
#Typographically
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INJoin Gregory Page on a journey to discover everything about type. @gregory_page_
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TYThrowback to our Spring 2024 Provoking Type showcase with @the_schessa🔥
Applications for our next cohort are now open!⏳Apply by this Friday, February 20. ⏰
Curious about how type shapes history, culture, power, and identity? 👀 In this 5-week course, we take a critical & decolonial lens to typography—reimagining the narratives, contexts, and futures of type.
Instructor Schessa Garbutt and guest lecturers offer their critical perspectives on type as a tool and medium, centering BIPOC and othered histories, research methods, and intellectual mirrors while examining classic eurocentric, patriarchal, and capitalist views of the craft.
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🔗 Learn more at TypeElectives.com link in bio
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ILThis workshop is perfect for you if:
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— You’d love to have a go at type design but not sure if it’s for you.
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If any of these applies to you, then our popular weekend workshop, Typeface Design for non-Type Designers, is just the course for you.
Live on Zoom with two brilliant educators, Matteo Bologna & Rainer Scheichelbauer, you get the best help from the very best.
Hurry, it starts soon!
Reserve your spot here: https://academy.ilovetypography.com/typeface-design-for-non-type-designers-workshop/
Or follow the link in our bio!
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PUI see many beautiful finished typefaces. But I see even more long, mesmerizing processes behind them. That’s where the most interesting things happen — not fully finished, not overly polished, not too confident in their own “correctness.”
We’ve become used to showing only version 1.0 — as if nothing existed before it.
But the most alive typographic decisions are not born in the final stage. They are born in search. In doubt. In the unfinished. That’s why I’m launching .noddef — an open typographic ecosystem for typefaces that don’t have to be perfect.
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If you have a typeface or a draft you never released — maybe it just needed the right environment.
.noddef is not about serious relationships. It’s about first sincerity. And falling in love. The submission form is now open — link in bio.
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MUWe have always believed that type is not just for type designers; it is a way to express a unique voice to the world. With that in mind, we offer our clients and community a unique experience through it. That is why we invite you to join Type Drives Commerce — a live conference bringing together the full typographic ecosystem under one roof.
📍 Fordham University, NYC
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SL🚀 The Yearbook of Type is back—call for entries #8 is officially open! Submit your typeface and be part of a global showcase of fresh, standout designs. Building on the proven concept of previous editions, we continue what has successfully shaped the publication so far. Yearbook of Type 8, to be published in autumn 2026, will once again present a carefully curated selection of contemporary typefaces from both major typeface publishers and smaller, independent typographers and foundries—a clear, comprehensive compendium of today’s type design.
The informative presentation of typefaces—both in the book and online—has for years been inspiring graphic designers and agencies worldwide and helping them choose the right typeface. As a catalog and reference work, the Yearbook of Type is also a must-read for anyone interested in contemporary typography and the latest developments in type design.
👉HOW TO reserve and book a space:
1. Send an email to yearbookoftype@slanted.de with the number of typefaces you would like to submit and links or samples of each, so we can review them and get back to you.
2. Receive a purchase link for your typeface spot(s).
3. Now your space is booked. We’ll get in touch with more information about the upload.
4. Upload the requested files and information until April 20th, 2026 (latest!) and you will be guided step-by-step through the process.
Find out more about the project here: yearbookoftype.com/call-for-entries-2026
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TYStill a few tickets left for our Type Drives Commerce conference March 13. Link in bio.
This lineup is stacked top to bottom with some of today’s greatest typo-brainiacs. Come learn from the best.
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Christine Bateup (Director of Business and Licensing, Frere-Jones Type), Teddy Blanks (Co-founder, CHIPS), Phil Carey-Bergren (VP of Global Licensing and Strategy, Monotype), Jolene Delisle (Founder, The Working Assembly), James Edmondson (Founder, OH NO Type Co.), Gary Fogelson (Partner, Other Means), Brent David Freaney (Creative Director & Founder, Special Offer), JUST ADDED: Jessica Hische (Lettering Artist), Min Lew (Partner at Base Design), Jeremy Mickel (Founder + Type Designer, mckltype), Charles Nix (Senior Executive Creative Director, Monotype), Audrie Poole (Executive Producer + Partner, Sunday), Tré Seals (Vocal Type), Rich Tu (Executive Creative Director + Partner, Sunday Afternoon), Chris Nott (Studio Drama)
EVENT HOSTS
Zipeng Zhu (Artist / Creative Director, DAZZLE)
Lauren Hom (Designer & Lettering Artist, Hom Sweet Hom)
Jolene Delisle (Co-founder, The Working Assembly)
Register now. Limited availability.
Thanks to our sponsors @klim_type_foundry @xyz_type @frerejones @bymonotype @thetypefounders @workingassembly @designerjournals @productiontype @schrifteriafoundry @type01_ @arrowtype
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TYOur friends at PRINT Magazine share the first look at the final Type Drives Commerce lineup! Visit our bio link to read more.
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Big shout out to the team @emmaluczyn @alexmhough @imabbie Margherita Huntley & Kam Rehal!
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We are excited to share that the full program for the ATypI 2026 Stanford conference is now available.
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Link in bio.
@atypi_org
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