285.3K
ZM11:17 Polymeter 🧠🥁🤪
#polymeter #practicepad #brainworkout #drums #drumming #drummersofinstagram #drumpractice #rudiments #polyrhythm #vaterdrumsticks #mathmusic #musictheory #rhythm #myheadhurts
@zmorton
#Polymeter
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705.7K
SMIntro to polymeters 🥁
Right hand in 7/8, everything else in 4/4.
Unlike a polyrhythm, where two rhythms line up over the same beat, a polymeter keeps each rhythm in its own time signature, so they only meet at certain points.
#Drumming #Polymeter #7Over4 #Polyrhythm #DrumLife #SmackDrums #JazzDrumming #FusionDrumming #AdvancedDrumming #Groove #Rhythm #Percussion #DrummersOfInstagram #DrumPractice #CreativeGrooves #tamadrums #seelectronics #musicworksnz
@smackdrums
1.3M
MAWhy is this @groovyq flow looping in a weird way?
On 🎵" THank god 4 me" Schoolboy raps repeated 3-beat phrases on top of a 4/4 instrumental, essentially creating a Polymeter. It's wild and hypnotic, but it's dope !
Polymeter is an advanced flow technique that not many can master. Peep the profile l!nk to dive deeper on it 🔥
#musictheory #rapscience #polymeter
@mazbouq
182.4K
HA“All brawn no brains”. @dip.drums already roasted her in 13/8. Let me do it in 4/4.
#drummersofinstagram #polyrhythm #polymeter #drumexercise #drumchops #drummingforlife #drums
@handsomefuture
2.3K
CO3:4 over 5/4 or whatever from “The Last Garden”
#drumlessons #3over4 #polyrhythm #polymeter #jazz #jazzfusion
@coreylissdrums
516.1K
ZMTwo inspirations for this: I listened to @shawncrowder play some 7 over 5 during a section of Lunar that was RAD! And thought about @jacobcollier playing his one-handed 5 part polymeter so I thought at the VERY least I should try that 7:5 polymetric pair on the one hand with 2 mallets (classical percussion degree making its first appearance on this page). Anyhow, this was a lot of fun 🙂
#theworkisthefun #drums #drummer #polymeter #polyrhythm #drummersofinstagram #instadrum #drumlesson #drumteacher
@zmillermusic
250.0K
ANanother simple 4/4 groove
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Vardavar by @tigranhamasyan is such a cool song, this was a great suggestion
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#metr #metrictrees #polymeter
@andychamberlainmusic
2.7K
OLA fun polymeter exercise in 4:7 inspired by @zmorton. The right hand plays in 4 and the left hand in 7. It takes 7 bars to complete one full cycle and for the two meters to line up again.
#drums #polymeter #practicepad #handtechnique #drumpractice
@old.pueblo.beats
631.9K
ANclassic 4/4 groove
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@sungazerrrr made this song called Threshold and its pretty sick. The background is @benlevinmusic 's music video for the track
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#metr #metrictrees #hypertuplets
@andychamberlainmusic
49.5K
MAPolymetricism in rap is when the perceived meter of your rap flow differs from that of the instrumental. For example, here we have a rap flow rhythm that cycles over 5 16th notes (x-xx-), being performed on top of a standard 4/4 instrumental.
The result is dissonance as the two rhythms go out of phase, the goal of which is usually to create mounting tension which leads to heightened satisfaction for the listener when the pattern is eventually reset.
Not to be confused with polyrhythm, which in my view is when two rhythms with indivisible subdivisions are performed together (although the definitions of both, and hence the distinction between them, is contentious).
The application within rap is a highly technical skill, requiring an intuitive understanding of the interaction between two contrasting meters and how long they can both be maintained before resolution becomes necessary. This can be built with focused practice on specialised exercises.
I have plenty of these in the "Polymetricism in Rap" course unit - if you want it, you know where the link is.
Beat: "Drake type beat" by @jodzionthetrack
#rapflow #musictheory #polymeter
@mazbouq
3.7K
ROOnly 5% Can Pull This Off... 🤫🥁
Try To Decode These Rhythms To Improove Your Coordination Skills🧠
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#drumlessons # #polyrhythms #polymeter #coordination #drumchallenge
@romash_barabash_
6.4K
CHSince 2018 I’ve used a homegrown technique called “Interval Sets” to create chord progressions. I wrote an article about it; see link in bio.
The first public example is “Fazo Kanto” (the last track on “Akoko Ajeji”) and it uses set [444]. That set is of special interest, because unlike most of the possible interval sets, it uses all twelve tones, and is also symmetrical.
In this video of “Fazo Kanto”, watch the six columns in the upper right corner, and how they relate to the trichords (three-note chords) shown on the keyboard. Columns 1A and 1B control the trichord’s lower note, columns 2A and 2B control its middle note, and columns 3A and 3B control its upper note.
The base trichord is C E G#, which is a C augmented triad. Each of its notes are offset (in semitones) by a pair of tracks, A and B. Track A outputs zero or one, and track B outputs zero or two. The sum of the pair of tracks can therefore range from zero to three. The sum at any moment varies, because tracks A and B have different, relatively prime lengths: they are respectively 5 and 7 steps long, and combine to form a 35-step pattern.
C is offset by the sum of 1A and 1B.
E is offset by the sum of 2A and 2B.
G# is offset by the sum of 3A and 3B.
To summarize, the lower tone varies from C to Eb, the middle tone varies from E to G, and the upper tone varies from G# to B. This is typical of the [444] interval set, which divides the octave into three contiguous groups of four semitones each.
Each pair of controlling tracks (A and B) is offset from the other pairs by one step. This time offset gives a pleasing diversity of trichords. Note however that this setup only utilizes 35 of set [444]’s 64 possible values (four cubed). The width of a step in this case is 17/16, which is the primary time signature of “Fazo Kanto.”
#polymeter #phasing #phasemusic #musictheory #generativemusic #algorithmicmusic #intervals
@chriskorda
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